Sensory Experience as Consciousness in Literary Representations of Animal Minds
S eabiscuit, the biography of a race horse who lived in the 1930s, is currently on the New Tork Times “Best Sellers” list. Its popularity is only the most recent evidence of adult interest in animal char-acters, particularly in representations of their mental life. Nevertheless, passages such as the following are apt to produce derision among some readers: “Seabiscuit had the misfortune of living in a stable whose man- agers simply didn’t have the time to give his mind the painstaking atten- tion it needed.”1 Students of literature may assume that any text that attributes “mind” to an animal is anthropomorphic, even though they may not be quite sure what mind is.
KeywordsClay Rubber Coherence Cocaine Gasoline
Unable to display preview. Download preview PDF.
- 1.Laura Hillenbrand, Seabiscuit: An American Legend (New York: Random House, 2001), 41.Google Scholar
- 3.Carl Hiassen, Sick Puppy (New York: Alfred A. Knopf, 2000), 150–151.Google Scholar
- 5.Eileen Crist, Images of Animals: Anthropomorphism and the Animal Mind (Philadelphia: Temple University Press, 1999), 102–103.Google Scholar
- 6.Jane Smiley, Horse Heaven (New York: Alfred A. Knopf, 2000), 231.Google Scholar
- 10.Charles Siebert, Angus: A Memoir (New York: Crown Publishers, 2000), 92–93.Google Scholar
- 12.John Hawkes, Sweet William: A Memoir of Old Horse, ’’Papers on Language and Literature 38.4 (Fall 2002): 416–418.Google Scholar
- 14.Virginia Woolf, Flush (London: Harcourt Brace and Company, 1983), 130.Google Scholar
- 19.Brad Watson, “Seeing Eye,” in Last Days of the Dog-Men: Stories (New York: Delta, 1996), 41.Google Scholar
- 20.Antonio R. Damasio, The Feeling of What Happens: Body and Emotion in the Making of Consciousness (New York; San Diego; London: Harcourt Brace and Company, 1999), 154.Google Scholar