Abstract
Manhattan, July 7, 1995: On this hot, muggy evening, an audience rapidly filled Lincoln Centers air-conditioned Alice Tully Hall. Whereas the majority probably hailed from New York City and its nearby environs, one member of the audience had driven down from Cambridge and another had flown in from San Diego just to see this particular performance of William Shakespeare’s Hamlet. At the time, these two, the authors of this paper, did not know each other.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Works Cited
Auslander, Philip. 1999. Liveness: Performance in a Mediatized Culture. New York: Roudedge.
Barthes, Roland. 1977. “From Work To Text.” In Image-Music-Text. Trans, by Stephen Heath. New York: Hill and Wang, 155–164.
Eagleton, Terry. 1983. literary Theory. Minneapolis: Univ. of Minnesota Press.
Foucault, Michel. 1979. “What Is an Author?” In Textual Strategies: Perspectives in Post-structuralist Criticism. Ed. and Trans, by Josué V. Harari. Ithaca, NY: Cornell Univ. Press, 141–160.
Hamlet, Alley Theatre. 1995. Program. Ed. by Gregory Boyd and Valdemar Zialcita. Alley Theatre, Houston, TX. May.
Hamlet: A Monologue. 1995. Dir. Robert Wilson. Lincoln Center, New York City. 6–8 July.
Hamlet: A Monologue. 1995. Adapted by Robert Wilson and Wolfgang Wiens. Second version. Byrd Hoffman Foundation, New York City.
Hamlet, The First Quarto. [1603] 1998. William Shakespeare. Ed. by Kathleen O. Irace. New York: Cambridge Univ. Press.
Hamlet, The Second Quarto [1604–1605] 1964. William Shakespeare. Facsimile reproduction. Ed. by Charlton Hinman. Oxford: Clarendon Press.
Hedrick, Don and Bryan Reynolds. 2000. “Shakespace and Transversal Power.” In Shakespeare Without Class: Misappropriations of Cultural Capital. New York: St. Martin’s Press, 3–47.
Kessel, Marion, dir. The Making of a Monologue: Robert Wilson’s Hamlet. 1995. Documentary video. Arts Alive!/Alley Theatre.
Maguire, Laurie E. 1996. Shakespearean Suspect Texts. New York: Cambridge Univ. Press.
The Making of a Monologue: Robert Wilsons Hamlet. 1995. Documentary video. Dir. Marion Kessel. Arts Alive!/Alley Theatre.
Marcus, Leah. 1996. Unediting the Renaissance. New York: Routledge.
Reynolds, Bryan. 1997. “The Devil’s House, ‘or worse’: Transversal Power and An-titheatrical Discourse in Early Modern England.” Theatre Journal 49, 142–67.
—. 2001. Becoming Criminal: Transversal Theater and Cultural Dissidence in Early Modern England. Baltimore: Johns Hopkins Univ. Press.
Reynolds, Bryan and Joseph Fitzpatrick. 1999. “The Transversality of Michel de Certeau: Foucault’s Panoptic Discourse and the Cartographic Impulse.” Diacritics 29:3, 63–80.
Rouse, John. 1992. “Textuality and Authority in Theater and Drama: Some Contemporary Possibilities.” Critical Theory and Performance. Ed. by Janelle G. Reinelt and Joseph R. Roach. Ann Arbor: Univ. of Michigan Press, 146–157.
Worthen, W. B. 1998. “Drama, Performativity, and Performance.” PMIA 113 (October): 1093–1107.
Editor information
Editors and Affiliations
Copyright information
© 2002 Richard Burt
About this chapter
Cite this chapter
Hopkins, D.J., Reynolds, B. (2002). The Making of Authorships. In: Burt, R. (eds) Shakespeare after Mass Media. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-09277-9_12
Download citation
DOI: https://doi.org/10.1007/978-1-137-09277-9_12
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-0-312-29454-0
Online ISBN: 978-1-137-09277-9
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)