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Dreams pp 167-172 | Cite as

Making Dreams into Music

Contemporary Songwriters Carry On an Age-Old Dreaming Tradition
  • Nancy Grace

Abstract

I was driving home one night several years ago, flipping through radio stations, when I landed on a station just in time to hear a voice say “I think any artist who ignores their dreams is ignoring half of their creative potential.” I listened eagerly to hear who was speaking. It turned out to be the tremendously successful pop musician Sting, talking about the creative process.

Keywords

Spiritual Dimension Liner Note Creative Life Community Guidance Contemporary Musician 
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Notes

  1. 1.
    Master Class with Billy Joel, Berklee College of Music (Boston, MA, fall 1992). Also mentioned in Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Their Dreams for Creative Problem Solving—and How You Can Too (New York: Crown Publishers, 2001).Google Scholar
  2. 2.
    In Barry Miles, Paul McCartney: Many Years From Now (New York: Henry Holt, 1997), p. 202.Google Scholar
  3. 5.
    Two excellent sources are Kelly Bulkeley, Spiritual Dreaming (Mahwah, NJ: Paulist Press, 1995), andGoogle Scholar
  4. Barbara Tedlock (ed.), Dreaming: Anthropological and Psychological Interpretations (Santa Fe, NM: School of American Research Press, 1992).Google Scholar
  5. 15.
    From Timothy White, Rock Lives: Profiles and Interviews (New York: Henry Holt, 1990, pp. 692–709), cited at http://users.sisna.com/clio95/blueturtles.html—“Sting 101.”Google Scholar
  6. 16.
    From Jeremy Taylor, Where People Fly and Water Runs Uphill: Using Dreams to Tap the Wisdom of the Unconscious (New York: Warner Books, 1992).Google Scholar

Copyright information

© Kelly Bulkeley 2001

Authors and Affiliations

  • Nancy Grace

There are no affiliations available

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