Abstract
The Cold War psychology — and often, psychopathology — of American culture was frequently acted out, and tellingly disclosed, through narrative articulations of its nuclear stream of consciousness: symbolic shadow-plays of new weapons and maybe-wars with which it both amused and indoctrinated itself over a long period of mushroom-clouded M.A.D.-ness. However, an optimally rigorous and revealing inquiry into American obsessions with, and representations of, the bomb might best be achieved through a comparative analysis which employs cross-cultural contrasts to bring the unique characteristics of U.S. nuclear nightmares into high relief. In particular, comparisons between British and American images of the bomb — and its aftermath — can be used to highlight the key features of America’s nuclear psychology, to explain their uniqueness, and to reveal the influence of nuclear weapons upon the consciousness of both the nation’s political elites and general public.
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Notes
H. G. Wells, The World Set Free (London: Macmillan, 1914).
Patrick Mannix, The Rhetoric of Antinuclear Fiction: Persuasive Strategies in Novels and Films (Lewisburg: Bucknell University Press, 1992), pp. 82–83, 137.
This essay is included in her landmark collection, Against Interpretation (New York: Dell, 1966).
Vivian Sobchack, ‘The Violent Dance: A Personal Memoir of Death in the Movies,’ Journal of Popular Film, 31 (Winter 1974): 2–14.
H. G. Wells, The War of the Worlds, in The Time Machine and The War of the Worlds: A Critical Edition, ed. Frank D. McConnell (1898; New York: Oxford University Press, 1977).
Whitley Strieber and James Kunetkâs War Day: And the Journey Onward (1984) is a semi-documentary narrative. Testament is a film based on Carol Amen’s ‘The Last Testament’ (1980).
Jacqueline Smetak, ‘Sex and Death in Nuclear Holocaust Literature of the 1950s,’ in The Nightmare Considered: Critical Essays on Nuclear War Literature, ed. Nancy Anisfield (Bowling Green, Oh: Bowling Green State University Popular Press, 1991), p. 21.
Helen Caldicott, Missile Envy (Bantam: New York, 1985), p. 319.
Eugene Burdick and Harvey Wheeler, Fail-Safe (New York: McGraw-Hill, 1962), pp. 123–4.
Spencer Weart, Nuclear Fear: A History of Images (Cambridge, Mass.: Harvard University Press, 1988), p. 82.
Weart advances, and makes credible, the claim that ‘Astounding’s stories did more than any factual article to tell the meaning of fission’. There were other stories at that time which dealt with the same issue. One famous example is Lester Del Rey’s ‘Nerves’, Astounding, 30 (September 1942).
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© 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Gannon, C.E. (2000). Silo Psychosis: Diagnosing America’s Nuclear Anxieties Through Narrative Imagery. In: Seed, D. (eds) Imagining Apocalypse. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-137-07657-1_8
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DOI: https://doi.org/10.1007/978-1-137-07657-1_8
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