Abstract
Foreign workers, refugees, and asylum seekers who arrived in France since the mid-nineteenth century brought with them a rich cultural heritage. This is certainly true for France’s North African community. From the earliest stages of North African immigration, singers and musicians offered a source of relief and comfort for a population of male workers in temporary exile. Through the creation of newspapers and magazines, North African militants condemned French rule in the Maghreb (Algeria, Morocco, and Tunisia) and advocated nationalist aspirations. In the postcolonial period, North African novelists, theater companies, musical performers, and a new generation of journalists helped inform the French about the condition of foreign laborers, acted as an extension of a nascent immigrant workers’ movement, and provided a wealth of entertainment for a burgeoning foreign population.
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Notes
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Alec Hargreaves, Voices from the North African Immigrant Community in France: Immigration and Identity in Beur Fiction (New York/Oxford: Berg, 1991).
Michel Laronde, Autour du Roman Beur: Immigration et Identité (Paris: L’Harmattan, 1993).
Alec G. Hargreaves, “Oralité, audio-visuel et écriture: chez les romanciers issus de l’immigration maghrébine,” in “itinéraires et contact de culture,” Poétiques Croisées du Maghreb 14 (1991), pp. 175–176.
Sophie Ruppert, “L’Harmattan: Publishing on the Third World,” Research in African Literatures 22. 4 (Winter 1991), p. 156.
Kim Eling. The Politics of Cultural Policy in France (New York: St. Martin’s Press, 1999), p. 150.
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© 2004 North Africans in Contemporary France
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Derderian, R.L. (2004). North African Cultural Expression. In: North Africans in Contemporary France: Becoming Visible. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-06698-5_3
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DOI: https://doi.org/10.1007/978-1-137-06698-5_3
Publisher Name: Palgrave Macmillan, New York
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