Abstract
For quite some time I have been interested in the link between language and religion—more specifically, in the search of a primal tongue that precedes all others, one whose virtue is not lessened by time. Can such a proto-language be at once divine and secular? Can its meaning and interpretation be standardized? My interest is also targeted toward translation: Would such a proto-language symbolize, once and for all, the abolition of the act of translation? Such miscellaneous questions rumbled in my mind not long ago, as I was reading two thought-provoking essays, one by the Mexican poet and essayist, Octavio Paz: “Edith Piaf Among the Pygmies”; the other: “The Ephemerality of Translation” by Ray Harris, an Oxford professor. While both share a common theme—the reaches and limitations of translation—their asymmetrical relationship is fascinating. Paz argues that the job of translating a text from one language to another is simply impossible. He offers as an example a television documentary he once saw about several Pygmies who heard Edith Piaf’s voice magically reproduced by a phonograph an ethnologist had turned on for them to hear. Whereas the ethnologists could identify with the song by the French pop singer, a song about jealousy and violent love, the Pygmies immediately became quite frightened: they covered their ears and ran away.
“We will build our Temple here”, said they, simultaneously, and with an indescribable conviction that they had at last found the very spot.
—Nathaniel Hawthorne, Twice-Told Tales
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© 1996 Ilan Stavans
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Stavans, I. (1996). The Verbal Quest. In: Art and Anger. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-06033-4_6
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DOI: https://doi.org/10.1007/978-1-137-06033-4_6
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-0-312-24031-8
Online ISBN: 978-1-137-06033-4
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