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Why 44100 Samples per Second

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References

  1. D.J. Benson.Music: A Mathematical Offering. Cambridge University Press, 2006.

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  2. D.W. Kammler.A First Course in {Fourier Analysis}. Prentice Hall, NJ, 2000.

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  3. T.W. Körner.Fourier Analysis. Cambridge University Press, 1988. (See also 4.)

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  4. T.W. Körner.Exercises for {Fourier Analysis}. Cambridge University Press, 1993. (The sampling theorem (Theorem 10.5) is discussed here.)

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  5. H. Nyquist. Certain topics in telegraph transmission theory.Transactions of the American Institute of Electrical Engineers, 47:617–644, 1928.

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  6. K.C. Pohlmann.The Compact Disc Handbook. A-R Editions, Madison, WI, 2nd edition, 1992.

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  7. L. van Beethoven. Symphony no. 9, in b minor, opus 125, 1826. (Since then, many other editions have been published (Eulenberg, Breitkopf & Härtel, Kalmus, Bärenreiter, etc.). Affordable reprints of this work are available.)

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  8. H. von Hemholtz.On the Sensations of Tone as a Physiological Basis for the Theory of Music. Dover Publications, New York, 1954. (Translated by A.J. Ellis from the 4th German edition of 1877.)

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Correspondence to Christiane Rousseau .

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© 2008 Springer-Verlag New York

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Rousseau, C., Saint-Aubin, Y. (2008). Why 44100 Samples per Second. In: Mathematics and Technology. Springer Undergraduate Texts in Mathematics and Technology . Springer, New York, NY. https://doi.org/10.1007/978-0-387-69216-6_10

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