Skip to main content

Digital Audio Recording Formats and Editing Principles

  • Chapter
Handbook of Signal Processing in Acoustics
  • 760 Accesses

This chapter summarises digital audio recording formats and the principles of digital audio editing. A brief overview of the most common storage formats is given followed by an introduction to audio editing technology and techniques. Digital audio conversion and encoding principles are covered elsewhere in this book and will not be described here.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 629.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 799.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 799.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • AES (1999) AES 31-3-1999: AES 31-3-1999: AES standard for network and file transfer of audio. exchange: Part 3 – Simple project interchange.

    Google Scholar 

  • AES (2001) AES 31-1-2001: AES standard for network and file transfer of audio. exchange: Part 1 – Disk format.

    Google Scholar 

  • De Bont, F. et al. (1996) The high density DVD. Proceedings of the AES UK Conference on Audio for New Media. Audio Engineering Society.

    Google Scholar 

  • Doi, T., Tsuchiya, Y. and Iga, A. (1978) On several standards for converting PCM signals into video signals. J. Audio Eng. Soc.6, 9, pp. 641–649.

    Google Scholar 

  • EBU (2001) Tech. 3285. BWF – a format for audio data files in broadcasting. Version 1.(See also Supplements 1, 2 and 3.). European Broadcasting Union.

    Google Scholar 

  • Gerzon, M. et al. (2004) The MLP lossless compression system for PCM audio. J. Audio Eng. Soc.52, 3, pp. 243–260.

    Google Scholar 

  • Gilmer, B. (2002) AAF – the advanced authoring format. EBU Tech. Rev., July.

    Google Scholar 

  • Ishida, Y. et al. (1985) On the development of a rotary head digital audio tape recorder. Presented at 79th AES Convention, Preprint 2271. Audio Engineering Society.

    Google Scholar 

  • Kogure, T., Doi, T. and Lagadec, R. (1983) The DASH format: an overview. Presented at 74th AES Convention, Preprint 2038. Audio Engineering Society.

    Google Scholar 

  • Kudelski, S. et al. (1987) Digital audio recording format offering extensive editing capabilities. Presented at 82nd AES Convention, Preprint 2481. Audio Engineering Society.

    Google Scholar 

  • Nakajima, H., Doi, T., Tsuchiya, Y. and Iga, A. (1978) A new PCM audio system as an adapter of video tape recorders. Presented at 60th AES Convention, Preprint 1352. Audio Engineering Society.

    Google Scholar 

  • Philips (2002a) Direct Stream Digital Interchange File Format: DSD-IFF version 1.4, revision 2. Available from www.superaudiocd. philips.com.

    Google Scholar 

  • Philips (2002b) Recommended usage of DSD-IFF, version 1.4. Available from www.superaudiocd.philips.com

    Google Scholar 

  • Pohlmann, K. (1992) The Compact Disc Handbook.A-R Editions.

    Google Scholar 

  • Rumsey, F. (2004) Desktop Audio Technology. Oxford and Boston: Focal Press.

    Google Scholar 

  • Tsutsui, K. et al. (1992) ATRAC: Adapative transform acoustic coding for minidisc. Presented at 93rd AES Convention, Preprint 3456. Audio Engineering Society.

    Google Scholar 

  • Verbakel, J. et al. (1998) Super Audio CD format. Presented at 104th AES Convention, Preprint 4705. Audio Engineering Society.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2008 Springer Science+Business Media, LLC

About this chapter

Cite this chapter

Rumsey, F. (2008). Digital Audio Recording Formats and Editing Principles. In: Havelock, D., Kuwano, S., Vorländer, M. (eds) Handbook of Signal Processing in Acoustics. Springer, New York, NY. https://doi.org/10.1007/978-0-387-30441-0_36

Download citation

Publish with us

Policies and ethics