Abstract
Digital audio processing is an emerging field of different standards for consumer and professional applications. Besides three main sampling frequencies (professional 48 kHz, consumer 44.1 kHz, broadcasting 32 kHz) two transmission formats have been established, namely a two-channel serial transmission format (AES/EBU-Format) and a multichannel audio digital interface (MADI). The interface techniques between these adopted standards will be discussed considering synchronization problems and the hardware complexity.
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References
Audio Engineering Society, “AES Recommended Practice for Digital Audio Engineering — Serial Transmission Format for Linearly Represented Digital Audio Data,” J. Audio Eng. Soc., Vol. 33, pp. 975–984, 1985
Audio Engineering Society, “AES Recommended Practice for Digital Audio Engineering — Serial Multichannel Digital Audio Interface (MADI),” J. Audio Eng. Soc., Vol. 39, pp. 368–377, 1991
Am7968/Am7969 Transparent Asynchronous Xmitter-receiver Interface Data Sheet, Advanced Micro Devices, Sunnyvale, CA, May 1987
R.E. Crochiere, L.R. Rabiner, Multirate Digital Signal Processing, Prentice-Hall, Englewood Cliffs, 1983
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© 1992 Springer-Verlag Berlin Heidelberg
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Zölzer, U., Kalff, N. (1992). FDDI-based digital audio interfaces. In: Herrtwich, R.G. (eds) Network and Operating System Support for Digital Audio and Video. NOSSDAV 1991. Lecture Notes in Computer Science, vol 614. Springer, Berlin, Heidelberg. https://doi.org/10.1007/3-540-55639-7_31
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DOI: https://doi.org/10.1007/3-540-55639-7_31
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