Skip to main content

Genetic Improvisation Model A Framework for Real-Time Performance Environments

  • Conference paper
  • First Online:

Part of the book series: Lecture Notes in Computer Science ((LNCS,volume 2611))

Abstract

This paper presents the current state in an ongoing development of the Genetic Improvisation Model (GIM): a framework for the design of real-time improvisational systems. The aesthetic rationale for the model is presented, followed by a discussion of its general principles. A discussion of the Emonic Environment, a networked system for audiovisual creation built on GIM’s principles, follows.

Not following one fixed aesthetic idiom, such as a particular music style.

Here, global criteria define what constitutes an overall good improvisation, while local criteria are those of an immediate context.

From here on improvisation & any derivative words refer to the non-idiomatic improvisation.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Lewis, G., Interacting with latter-day musical automata. Contemporary Music Review, 1999. 18(3): p. 99–112.

    Article  Google Scholar 

  2. Sims, K., Galapagos. 1997. Information online at: http://www.genarts.com/galapagos/

  3. Miranda, E. R., On the Origins and Evolution of Music in Virtual Worlds, in Bentley, P. and D. Corne, Creative evolutionary systems. 2002, San Francisco, CA. San Diego, CA: Morgan Kaufmann; Academic Press.

    Google Scholar 

  4. Blackwell T.M. and Bentley P.J. (2002) “Improvised Music with Swarms”, 2002 Congress on Evolutionary Computation, CEC-2002

    Google Scholar 

  5. Koza, J.R., Genetic programming: on the programming of computers by means of natural selection. Complex adaptive systems. 1992, Cambridge, Mass.: MIT Press.

    Google Scholar 

  6. Varela, F.J., E. Thompson, and E. Rosch, The embodied mind: cognitive science and human experience. 1991, Cambridge, Mass.: MIT Press.

    Google Scholar 

  7. Claxton, G., Cognitive psychology: new directions. International library of psychology. 1980, London; Boston: Routledge & Kegan Paul.

    Google Scholar 

  8. Marcus, G.F., The algebraic mind: integrating connectionism and cognitive science. Learning, development, and conceptual change. 2001, Cambridge, Mass.: MIT Press.

    Google Scholar 

  9. Stafford, B.M., Visual analogy: consciousness as the art of connecting. 1999, Cambridge, Mass.: MIT Press.

    Google Scholar 

  10. Mauss, M., The gift; forms and functions of exchange in archaic societies. 1954, Glencoe, Ill.,: Free press. xiv, 130 p.

    Google Scholar 

  11. Nyman, M., Experimental music: Cage and beyond. 2nd ed. 1999, Cambridge; New York: Cambridge University Press.

    Google Scholar 

  12. Deleuze, G. and F.l. Guattari, A thousand plateaus: capitalism and schizophrenia. 1987, Minneapolis: University of Minnesota Press.

    Google Scholar 

  13. Minsky, M.L., The society of mind. 1st Touchstone ed. Touchstone book. 1988, New York: Simon & Schuster.

    Google Scholar 

  14. Bentley et al, in Bentley, P. and D. Corne, Creative evolutionary systems. 2002, San Francisco, CA. San Diego, CA: Morgan Kaufmann; Academic Press.

    Google Scholar 

  15. Sloboda, J.A., Generative processes in music: the psychology of performance, improvisation, and composition. 2000, Oxford [England] New York: Clarendon Press.

    Google Scholar 

  16. Boden, M.A., The philosophy of artificial life. Oxford readings in philosophy. 1996, Oxford; New York: Oxford University Press.

    Google Scholar 

  17. Dawkins, R., The selfish gene. New ed. 1989, Oxford; New York: Oxford Univ. Press.

    Google Scholar 

  18. Miranda, E.R., Readings in music and artificial intelligence. Contemporary music studies, v. 20. 2000, Amsterdam: Harwood Academic.

    Google Scholar 

  19. Miranda, E.R., Composing music with computers. Music technology series. 2001, Oxford; Boston: Focal Press.

    Google Scholar 

  20. Moroni, J. et al, Vox Populi: Evolutionary Computation for Music Evolution.

    Google Scholar 

  21. Rowe, R., Interactive music systems: machine listening and composing. 1993, Cambridge, Mass.: MIT Press.

    Google Scholar 

  22. Lotman, I.F.U.M., Universe of the mind: a semiotic theory of culture. 1990, Bloomington: Indiana University Press.

    Google Scholar 

  23. Degazio, B., Evolution of Musical Organisms, Leonardo Music Journal, MIT Press, 1997

    Google Scholar 

  24. Hendriks-Jansen, H., Catching ourselves in the act: situated activity, interactive emergence, evolution, and human thought. Complex adaptive systems. 1996, Cambridge, Mass.: MIT Press. xii, 367.

    Google Scholar 

  25. Todd, P.; Werner, G.M., Frankensteinian methods for evolutionary music composition in Griffith, N. and P.M. Todd, Musical networks: parallel distributed perception and performance. 1999, Cambridge, Mass.: MIT Press. xv, 385.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2003 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Nemirovsky, P., Watson, R. (2003). Genetic Improvisation Model A Framework for Real-Time Performance Environments. In: Cagnoni, S., et al. Applications of Evolutionary Computing. EvoWorkshops 2003. Lecture Notes in Computer Science, vol 2611. Springer, Berlin, Heidelberg. https://doi.org/10.1007/3-540-36605-9_50

Download citation

  • DOI: https://doi.org/10.1007/3-540-36605-9_50

  • Published:

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-00976-4

  • Online ISBN: 978-3-540-36605-8

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics