Abstract
In All One Knows, Renata Poljak takes the risk of walking on an emotional tightrope, traveling from Belgrade to Vokovar with a companion, whereby she discovers herself as “Croatian”, an identity which she had never explicitly adopted. She perceives her environment, both surprised and overwhelmed by her own “incorrect”, because suddenly nationalist, feelings.
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© 2006 Thyssen-Bornemisza Art Contemporary, Vienna