Skip to main content

Music Knowledge Analysis: Towards an Efficient Representation for Composition

  • Conference paper
Current Topics in Artificial Intelligence (CAEPIA 2005)

Part of the book series: Lecture Notes in Computer Science ((LNAI,volume 4177))

Included in the following conference series:

Abstract

This document presents an analysis of Music Knowledge as a first step towards music representation for composition. After an introductory review of music computing evolution, several approaches to music knowledge are described: the system levels context, music theory and disciplines, dimensions in music, and finally the creative process. Then, the composition knowledge is analyzed at the symbolic level, dissecting its sub-level structure, and concluding with some requirements for an efficient representation. EV meta-model is presented as a multilevel representation tool for event based systems as music. Its structure and unique features are described within the analyzed level context. Three musical application examples of EV modeling are shown in the field of sound synthesis and music composition. These examples test representation, extension and development features.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Alvaro, J.L., Miranda, E.R., Barros, B.: EV: Multilevel Music Knowlegde Representation and Programming. In: Proceedings of SBCM, Belo Horizonte, Brazil (2005)

    Google Scholar 

  2. Newell, A.: The Knowledge Level. Artificial Intelligence 18, 87–127 (1982)

    Article  Google Scholar 

  3. Puckette, M.: Pure Data. In: Proceedings of ICMC, Thessaloniki, Greece, pp. 224–227 (1997)

    Google Scholar 

  4. Schottstaedt, B.: CLM Manual, Stanford (2003), http://ccrma.stanford.edu/software/snd/snd/clm.html

  5. Stone, P.: Symbolic Composer (1997), http://www.symboliccomposer.com

  6. Taube, H.K.: An Introduction to Common Music. Computer Music Journal 21(1), 29–34 (1997)

    Article  Google Scholar 

  7. Vercoe, B.L.: Csound: A Manual for the Audio-Processing System: MIT Media Lab (1994)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2006 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Alvaro, J.L., Miranda, E.R., Barros, B. (2006). Music Knowledge Analysis: Towards an Efficient Representation for Composition. In: Marín, R., Onaindía, E., Bugarín, A., Santos, J. (eds) Current Topics in Artificial Intelligence. CAEPIA 2005. Lecture Notes in Computer Science(), vol 4177. Springer, Berlin, Heidelberg. https://doi.org/10.1007/11881216_35

Download citation

  • DOI: https://doi.org/10.1007/11881216_35

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-45914-9

  • Online ISBN: 978-3-540-45915-6

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics