Handbuch Sound pp 348-352 | Cite as




  1. Brown, Lee B.: Phonography, rock records, and the ontology of recorded music. In: Journal of Aesthetics and Art Criticism 58/4 (2000), 361–372.Google Scholar
  2. Feaster, Patrick: Phonography and the recording in popular music. In: Andy Bennett/Steve Waksman (Hg.): The SAGE Handbook of Popular Music. Los Angeles 2015, 511–529.Google Scholar
  3. Feaster, Patrick: Phonography. In: Matt Sakakeeny/David Novak (Hg.): Keywords in Sound. Durham, NC 2015, 139–150.Google Scholar
  4. Gitelman, Lisa: Scripts, Grooves, and Writing Machines. Representing Technology in the Edison Era. Stanford 1999.Google Scholar
  5. Halverson, John: Havelock on Greek orality and literacy. In: Journal of the History of Ideas 53/1 (1992), 148–163.Google Scholar
  6. Katz, Mark: Capturing Sound. How Technology Has Changed Music. Berkeley 2004.Google Scholar
  7. Pisko, Franz Josef: Die neueren Apparate der Akustik. Wien 1865.Google Scholar
  8. Rothenbuhler, Eric W./Peters, John Durham: Defining phonography. An experiment in theory. In: The Musical Quarterly 81/2 (1997), 242–264.Google Scholar
  9. Sterne, Jonathan: The Audible Past. Cultural Origins of Sound Reproduction. Durham, NC 2003.Google Scholar
  10. Williams, Alan: Is sound recording like a language? In: Yale French Studies 60 (1980), 51–66.Google Scholar
  11. (aus dem Englischen übersetzt von Wilhelm von Werthern)Google Scholar

Copyright information

© Springer-Verlag GmbH Deutschland, ein Teil von Springer Nature 2018

Authors and Affiliations

  1. 1.Bloomington, INUSA

Personalised recommendations