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Postscript

  • Patricia Peknik
Chapter

Abstract

In 2000, Revenant Records released Volume 4 of Harry Smith’s Anthology of American Folk Music, a compilation of fiddle music, gospel, and blues. Two French Louisiana groups are included in the collection: the Hackberry Ramblers playing “Dans le Grand Bois” [In the Forest], and the Four Aces performing “Aces’ Breakdown,” both recorded at the St. Charles Hotel in New Orleans in 1938. In the liner notes, guitarist John Fahey, who had been so inspired fifty years earlier by the release of Volumes 1–3, poses the question, “Why did Harry Smith choose to end the set with Cajun? Did Smith sympathize or idealize with the agrarian, Acadian French farmers who refused to move to cities and become urbanized and English and turn their backs on their religion?”

Bibliography

  1. Perchuk, Andrew. “Struggle and Structure.” In Harry Smith, The Avant-Garde in the American Vernacular, edited by Andrew Perchuk. Los Angeles: Getty Publications, 2010.Google Scholar
  2. Rich, Nathaniel. “Authenticity All Right: Lee Friedlander’s New Orleans.” The New York Review of Books, May 16, 2014.Google Scholar
  3. Sexton, Rocky L. “Cajun Mardi Gras: Cultural Objectification and Symbolic Appropriation in a French Tradition.” Ethnology Vol. 38, No. 4 (Autumn, 1999): 297–313.Google Scholar
  4. Ware, Carolyn E. “Heritage Tourism in Rural Acadiana.” Western Folklore Volume 62, No. 53 (Summer, 2003): 157–187.Google Scholar

Copyright information

© The Author(s) 2019

Authors and Affiliations

  • Patricia Peknik
    • 1
  1. 1.Berklee College of MusicBostonUSA

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