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Chapter 5 Modernities in Conflict: The Military Band Betwixt Empires and Nations

  • meLê yamomo
Chapter
Part of the Transnational Theatre Histories book series (TTH)

Abstract

Traversing the imperial and the national imaginary, military musicians are the focus of this chapter. Fin-de-siècle Manila was a nexus in modern reimagining of the collapsing archaic Spanish Empire, the US experiment on imperialism, and the embryonic Filipino republic. The chapter investigates how the Filipino military musicians’ performing bodies became sites of simultaneous claims and contestations of national, imperial, and global imaginings of modernity.

References

Published Sources

  1. Cojuangco, Margarita R., Rene R. Cruz, Guillermo T. Domondon, Ramon E. Montaiio, and Cesar P. Nazareno. 1991. Konstable: The Story of the Phihppine Constabulary, 1901–1991. Manila: ABoCan.Google Scholar
  2. Ellis, Henry Sir. 1859. Hong Kong to Manilla and the Lakes of Luzon, in the Philippines. London: Smith, Elder and Co.Google Scholar
  3. Irving, D.R.M. 2010. Colonial Counterpoint: Music Early modern manila, 111–112. Oxford: Oxford University Press.Google Scholar
  4. Stevens, Joseph Earle. 1898. Yesterdays in the Philippines. New York: Charles Scribner’s Sons.Google Scholar

Copyright information

© The Author(s) 2018

Authors and Affiliations

  • meLê yamomo
    • 1
  1. 1.University of AmsterdamAmsterdamThe Netherlands

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