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Create-Actions of the Morfographic Line

  • Franco CervelliniEmail author
Conference paper
  • 211 Downloads
Part of the Advances in Intelligent Systems and Computing book series (AISC, volume 1140)

Abstract

I propose a conceptual and perceptual revisitation of the Line in order to reaffirm the crucial importance of Disegno. I refer to the three types of lines: straight, broken and curved, each of which intervenes with its own grammatical characterisations in the construction of form.

What is a line? According to Kandinsky “the geometric line is an invisible entity”, but its impalpable corporeity led to the invention of the most important expressive/cognitive forms, such as painting, writing, symbology, etc.

Keywords

Graphic thought Graphic grammar Morfografia 

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Copyright information

© Springer Nature Switzerland AG 2020

Authors and Affiliations

  1. 1.School of Architecture and Design of Ascoli PicenoUniversity of CamerinoCamerinoItaly

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