Advertisement

Michael Cunningham’s The Hours: Homage to the Book in a Time of Media Transformation

  • Aleida Assmann
Chapter
Part of the New Directions in Book History book series (NDBH)

Abstract

Aleida Assmann considers Michael Cunningham’s postmodern novel as an allegory of immersive reading that paid tribute to book culture at the very moment American society transitioned into the digital age. Cunningham reworks Virginia Woolf’s canonical modernist novel Mrs Dalloway (1923) to alert his readers to the printed book’s potential for fostering certain modes of attention and self-cultivation associated with the humanist tradition. Thoroughly situating the novel’s form and themes in literary history, Assmann shows that The Hours takes recourse to the long-standing literary topos of reading addiction to present the material book not merely as a means of bourgeois identity assurance but also as a drug—a pharmacon—that can foster both escapism and resistance, nostalgia and innovation.

Bibliography

  1. Ardoin, Paul. 2013. Jonathan Safran Foer and the Impossible Book. PMLA 128 (4): 1006–1008.CrossRefGoogle Scholar
  2. Carr, David. 2010. The Shallows: What the Internet Is Doing to Our Brains. New York: Norton.Google Scholar
  3. Cunningham, Michael. 1998. The Hours. New York: Picador.Google Scholar
  4. Hare, David. 2002. The Hours: A Screenplay. New York: Miramax Books.Google Scholar
  5. O’Rourke, Meghan. 2005. I Celebrate Walt. Slate, June 7. http://www.slate.com/articles/news_and_politics/the_highbrow/2005/06/i_celebrate_walt.html. Accessed 29 Mar 2017.
  6. Plate, Liedeke. 2015. Amnesiology: Towards the Study of Cultural Oblivion. Memory Studies 9 (2): 143–155.CrossRefGoogle Scholar
  7. Wagner, Heather. 2010. Jonathan Safran Foer Talks Tree of Codes and Conceptual Art. Vanity Fair, November 10. http://www.vanityfair.com/culture/2010/11/jonathan-safran-foer-talks-tree-of-codes-and-paper-art
  8. Wirth, Uwe, ed. 2011. Impfen, Pfropfen, Transplantieren. Berlin: Kadmos.Google Scholar
  9. Woolf, Virginia. 1992. Mrs Dalloway. London: Penguin.CrossRefGoogle Scholar
  10. ———. 1998. Orlando. London: Penguin.Google Scholar

Copyright information

© The Author(s) 2019

Authors and Affiliations

  • Aleida Assmann
    • 1
  1. 1.University of KonstanzKonstanzGermany

Personalised recommendations