Advertisement

Audio Effects

  • Mads G. Christensen
Chapter

Abstract

Audio effects are used in many different applications, including movie production, music production, and live music.

References

  1. 6.
    S. Haykin, Communication Systems, 4th edn. (Wiley, New Delhi, 2000)Google Scholar
  2. 7.
    S.J. Orfanidis, Introduction to Signal Processing (Prentice-Hall International, Englewood Cliffs, 1996)Google Scholar
  3. 13.
    J. Dattorro, Effect design, part II: delay-line modulation and chorus. J. Audio Eng. Soc. 45(10), 764–788 (1997)Google Scholar
  4. 14.
    E. Bedrosian, A product theorem for Hilbert transforms. Proc. IEEE 51(1), 868–869 (1963)CrossRefGoogle Scholar
  5. 15.
    J. Dattorro, Effect design, part III: oscillators: sinusoidal and pseudonoise. J. Audio Eng. Soc. 50(3), 115–146 (2002)Google Scholar
  6. 16.
    P. Dutilleux, M. Holters, S. Disch, U. Zölzer, Filters and delays, in DAFX: Digital Audio Effects, 2nd edn., ed. by U. Zölzer (Wiley, Chichester, 2011)Google Scholar
  7. 17.
    J.O. Smith, An all-pass approach to digital phasing and flanging, in Proceedings of the International Computer Music Conference (1984), pp. 103–109Google Scholar
  8. 18.
    V. Välimäki, S. Bilbao, J.O. Smith, J.S. Abel, J. Pakarinen, D. Berners, Virtual analog effects, in DAFX: Digital Audio Effects, 2nd edn., ed. by U. Zölzer (Wiley, Chichester, 2011)Google Scholar
  9. 19.
    W. Pirkle, Designing Audio Effect Plug-Ins in C++ (Focal Press, Taylor & Francis Group, Burlington, 2013)Google Scholar
  10. 20.
    V. Valimaki, T.I. Laakso, Principles of fractional delay filters, in Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing (2000)Google Scholar

Copyright information

© Springer Nature Switzerland AG 2019

Authors and Affiliations

  • Mads G. Christensen
    • 1
  1. 1.Aalborg UniversityAalborgDenmark

Personalised recommendations