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A Digital Tool to Understand the Pictorial Procedures of 17\(^\mathrm{th}\) Century Realism

  • Francesca Di CiccoEmail author
  • Lisa Wiersma
  • Maarten Wijntjes
  • Joris Dik
  • Jeroen Stumpel
  • Sylvia Pont
Conference paper
Part of the Lecture Notes in Computer Science book series (LNCS, volume 11130)

Abstract

To unveil the mystery of the exquisitely rendered materials in Dutch 17th century paintings, we need to understand the pictorial procedures of this period. We focused on the Dutch master Jan de Heem, known for his highly convincing still-lifes. We reconstructed his systematic multi-layered approach to paint grapes, based on pigment distribution maps, layers stratigraphy, and a 17th century textual source. We digitised the layers reconstruction to access the temporal information of the painting procedure. We combined the layers via optical mixing into a digital tool that can be used to answer “what if” art historical questions about the painting composition, by editing the order, weight and colour of the layers.

Keywords

Optical mixing Convincing rendering Painting reconstruction Jan de Heem 

Notes

Acknowledgements

This work is part of the research program NICAS “Recipes and Realities” with project number 628.007.005, which is partly financed by the Netherlands Organization for Scientific Research (NWO) and partly by Delft University of Technology. Maarten Wijntjes was financed by the VIDI project “Visual communication of material properties”, number 276.54.001.

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Copyright information

© Springer Nature Switzerland AG 2019

Authors and Affiliations

  • Francesca Di Cicco
    • 1
    Email author
  • Lisa Wiersma
    • 2
  • Maarten Wijntjes
    • 1
  • Joris Dik
    • 1
  • Jeroen Stumpel
    • 2
  • Sylvia Pont
    • 1
  1. 1.Delft University of TechnologyDelftThe Netherlands
  2. 2.Utrecht UniversityUtrechtThe Netherlands

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