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Charts and Diagrams of Dziga Vertov

  • Adelheid Heftberger
Chapter
Part of the Quantitative Methods in the Humanities and Social Sciences book series (QMHSS)

Abstract

The personal and professional trajectory of the director Vertov was marked by intermedial relationships. The family home in which he grew up had an affinity to literature – his father was a bookseller in Białystok – and the film-maker had already begun to write poems and stories at the age of 9:

References

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Archival Documents

  1. Cifrovaja zapis’. 1924. Austrian Film Museum, Collection Dziga Vertov, V 039.Google Scholar
  2. K proėktu ob organizacii tvorčeskoj laboratorii. 1936. Austrian Film Museum, Collection Dziga Vertov, V 131.Google Scholar
  3. K proėktu ob organizacii tvorčeskoj laboratorii II. 1936. Austrian Film Museum, Collection Dziga Vertov, V 132.Google Scholar
  4. K proėktu ob organizacii tvorčeskoj laboratorii III. 1936. Austrian Film Museum, Collection Dziga Vertov, V 133.Google Scholar
  5. Letajuščij čelovek. 1941. Austrian Film Museum, Collection Dziga Vertov, V 147.Google Scholar
  6. Otryvok montažnoj frazy iz 4-j časti fil’ma Čelovek s kinoapparatom. 1928. Austrian Film Museum, Collection Dziga Vertov, V 080.Google Scholar
  7. Otryvok montažnoj frazy iz 6-j časti fil’ma Čelovek s kinoapparatom. 1928. Austrian Film Museum, Collection Dziga Vertov, V 175.Google Scholar
  8. Proėkt organizacii raboty po vypusku fil’mov 'Kino-korrespondent'. 1942. Austrian Film Museum, Collection Dziga Vertov, V 149.Google Scholar
  9. Tebe front! Konstruktion Nr. 1. 1942. Austrian Film Museum, Collection Dziga Vertov, V 151.Google Scholar
  10. Tebe front! Konstruktion Nr. 2. 1942. Austrian Film Museum, Collection Dziga Vertov, V 152.Google Scholar
  11. Tebe front! Konstruktion Nr. 3. 1942. Austrian Film Museum, Collection Dziga Vertov, V 153.Google Scholar

Copyright information

© Springer Nature Switzerland AG 2018

Authors and Affiliations

  • Adelheid Heftberger
    • 1
  1. 1.German Federal Archive (Bundesarchiv)BerlinGermany

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