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Making Room(s): Staging Plays About Women and Houses

  • Ann M. ShanahanEmail author
Chapter

Abstract

Shanahan considers architecture and staging of domestic spaces as physical manifestations of conflicts between the genders. Drawing from her experience directing plays that focus on women and houses, she identifies certain features common among them and demonstrates how the production process has allowed her to devise new, resistant modes of storytelling. Shanahan’s piece centers on the staging of Lorca’s The House of Bernarda Alba to show that by negotiating how the borders of the fictional house in the play “fit” within the material circumstances of real performance spaces, we can discover strategies for undoing oppressive dramatic tropes and proposing new freedoms in gender expressions more broadly.

Works Cited

  1. Case, Sue-Ellen. Feminism and Theatre. Routledge, 1988.Google Scholar
  2. Hare, David, trans. The House of Bernarda Alba. By Frederico Garcia Lorca, Faber and Faber, 2005.Google Scholar
  3. Ibsen, Henrick. Hedda Gabler. The Wild Duck and Hedda Gabler. Trans. Michael Meyer, W. W. Norton, 1997, pp. 1–247.Google Scholar
  4. Mann, Emily, adapt. The House of Bernarda Alba. By Frederico Garcia Lorca, Dramatists Play Service, 1999.Google Scholar
  5. Scolnikov, Hannah. Woman’s Theatrical Space. Cambridge University Press, 1994.Google Scholar
  6. Shanahan, Ann. “Un-Blocking Hedda and Medea through Feminist ‘Play’ with Traditional Staging Forms.” Theatre Topics, vol. 21, no. 1, 2011, pp. 61–73.CrossRefGoogle Scholar
  7. Shanahan, Ann. “Playing House: Staging Experiments about Women in Domestic Space.” Theatre Topics, vol. 23, no. 2, 2013, pp. 129–44.CrossRefGoogle Scholar

Copyright information

© The Author(s) 2019

Authors and Affiliations

  1. 1.Department of TheatrePurdue UniversityWest LafayetteUSA

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