Musical Sound Generation and Radiation

  • John M. Eargle

Abstract

In this chapter we will study the physical bases of traditional musical instruments, observing how power is applied to the instrument, how oscillations are produced and altered, and how useful sound radiation is achieved. We will treat these elements in the simplest possible way, reserving for later chapters the detailed discussions of specific instruments, their unique characteristics and fine differences.

Keywords

Sound Radiation Vowel Sound Helmholtz Resonator Cylindrical Resonator String Instrument 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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References Cited

  1. Benade, A., 1976. Fundamentals of Musical Acoustics. New York: Oxford.Google Scholar
  2. Mersenne, Marin. 1636. Harmonie universelle.Google Scholar
  3. Olson, H., 1952. Musical Engineering. New York: McGraw-Hill.Google Scholar
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Recommended Reading

  1. Backus, J. 1969. The Acoustical Foundations of Music. New York: Norton.Google Scholar
  2. Berg, R., and D. Stork. 1982. The Physics of Sound. Englewood Cliffs, NJ: Prentice-Hall.Google Scholar
  3. Campbell, M., and C. Greated. 1987. The Musician’s Guide to Acoustics. New York: Schirmer Books.Google Scholar
  4. Culver, C. 1956. Musical Acoustics. New York: McGraw-Hill.Google Scholar
  5. Fletcher, N., and T. Rossing. 1991. The Physics of Musical Instruments. New York: Springer-Verlag.CrossRefGoogle Scholar
  6. Moravcsik, M. 1987. Musical Sound. New York: Paragon House.Google Scholar
  7. Pierce, J. 1983. The Science of Musical Sound. New York: W. H. Freeman.Google Scholar
  8. Rossing, T. 1990. The Science of Sound. Reading, MA: Addison-Wesley.Google Scholar

Copyright information

© Springer Science+Business Media New York 1995

Authors and Affiliations

  • John M. Eargle

There are no affiliations available

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