Skip to main content

The Renaissance (1300–1700): Reawakening Creativity

  • Chapter
  • First Online:
  • 476 Accesses

Abstract

We follow the Dark Ages, allowing a little bit of overlap, with the period known as the Renaissance. This time of rebirth began with a renewed interest in learning, drawing on classical sources, and reforms in the process of education.

This is a preview of subscription content, log in via an institution.

Buying options

eBook
USD   24.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   32.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Notes

  1. 1.

    I have a confession to make here. In the first draft of this book, I had Feminism featured as the last invention in the preceding epoch, the Dark Ages. For some reason, and because the Dark Ages overlaps with the Renaissance, I thought that Feminism was a great way to round off the former, rather than kick off the era defined by a reawakening, and a transition from unenlightened, medieval thinking to a more modern view of the world. I see now that this was a dumb idea, and I am glad that I moved it!

  2. 2.

    This image is an illustration from the book of the city of ladies. Image Credit: The yorck project (2002) 10,000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. Original document is held in the Bibliothèque Nationale de France. Public Domain.

  3. 3.

    Image Credit: https://toothcorner.com/brushing-toothbrush-history/.

  4. 4.

    In Renaissance Venice, the Dogaressa was the spouse of the Doge. The Doge, for his part, was the senior elected official of the Republic of Venice (726–1797)—chosen by the city-state’s aristocracy—and was chief magistrate and leader. Dogaressas, although wielding no political power in law, in practice were frequently influential in their own right, much like the First Lady in US politics.

  5. 5.

    The Orto Botanico, in Padua, Italy, was the world’s first purpose-built botanical garden, and was established in 1545 by the Venetian Republic. It was established specifically for the growth of medicinal plants, and as a place where students (of the University of Padua) could learn to distinguish these from non-medicinal varieties.

  6. 6.

    Image Credit: Oil painting by Pierre Mignard the Elder (1612—1695). Source: https://wellcomecollection.org/works/zym6q8t3. creative commons 4.0 https://creativecommons.org/licenses/by/4.0/legalcode.

  7. 7.

    From the 2006 book Palliative Care: The 400-Year Quest for a Good Death, by Harold Vanderpool.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to David H. Cropley .

Rights and permissions

Reprints and permissions

Copyright information

© 2020 Springer Nature Singapore Pte Ltd.

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Cropley, D.H. (2020). The Renaissance (1300–1700): Reawakening Creativity. In: Femina Problematis Solvendis—Problem solving Woman. Springer, Singapore. https://doi.org/10.1007/978-981-15-3967-1_6

Download citation

  • DOI: https://doi.org/10.1007/978-981-15-3967-1_6

  • Published:

  • Publisher Name: Springer, Singapore

  • Print ISBN: 978-981-15-3966-4

  • Online ISBN: 978-981-15-3967-1

  • eBook Packages: HistoryHistory (R0)

Publish with us

Policies and ethics