Skip to main content

“Call That Art? I Call It Bad Eyesight”: Seeing or Not Seeing in the Context of Responsive Art Practice

  • Chapter
  • First Online:
Non-Representational Theory and the Creative Arts
  • 664 Accesses

Abstract

In response to the idea that static representation might “capture” or “halt” the eventfulness of life, Lovejoy invites the reader to consider move-ability in the doings of images and texts. Here reductive re-presentation is refused calling on our sense-abilities to see—that is perceive things in their real contexts. A focus on context is a focus on what happens rather than on a thing that is in the world. Loitering with intent in a series of vignettes she invites you to “vade mecum … go with me” as she revisits past projects in an attempt to re-present experiential complexities of practice through narrative c/artographies.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 139.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 179.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Carter, P. (2007). Interest: The ethics of invention. In E. Barrett & B. Bolt (Eds.), Practice as research: Approaches to creative arts enquiry. London, UK: I. B. Tauris.

    Google Scholar 

  • Gablik, S. (1991). The re-enchantment of art. London: Thames and Hudson.

    Google Scholar 

  • Griffiths, J. (2008). Wild: An elemental journey. London, UK: Penguin.

    Google Scholar 

  • Guest, A. (2009). Artists and places—The time for a new relationship and a new agenda. Retrieved from http://archive.publicartscotland.com/features/11-ARTISTS-AND-PLACES-the-time-for-a-new-relationship-and-a-new-agenda.

  • Hattenstone, S. (1998, April 29). Love letters to my dead child. The Guardian, pp. 14–15.

    Google Scholar 

  • Hawkins, H. (2015). Creative geographic methods: Knowing, representing intervening. Cultural Gaeographies,22, 247–268.

    Article  Google Scholar 

  • Ingold, T. (1993). The temporality of the landscape. World Archaeology, 25(2), 152–174.

    Google Scholar 

  • Ingold, T. (2000). The perception of the environment: Essays on livelihood, dwelling and skill. London, UK: Routledge.

    Google Scholar 

  • Ingold, T. (2006). Rethinking the animate, re-animating thought. Ethos,71, 9–20.

    Google Scholar 

  • Johnson, S. (2010). The glass box and the commonplace book. Transcript of the Hearst New Media lecture at Columbia University. Retrieved from http://www.stevenberlinjohnson.com/2010/04/the-glass-box-and-the-commonplace-book.html.

  • Kaprow, A. (1993). Essays on the blurring of art and life. Berkeley: University of California Press.

    Google Scholar 

  • Katz, S. (2003). Wild fermentation: The flavor, nutrition, and craft of live-culture foods. White River Junction, VT: Chelsea Green.

    Google Scholar 

  • Kember, S. (2013). Ambient intelligent photography. In M. Lister (Ed.), The photographic image in digital culture. Oxford, UK: Routledge.

    Google Scholar 

  • Koh, J. (2010). Artist’s research text on methodology. Helsinki, UK: The Finnish Academy of Fine Arts. Retrieved from http://www.ifima.net/ifima/personal/jaybio.htm.

  • Law, J. (2004). After method: Mess in social science research. London and New York: Routledge.

    Book  Google Scholar 

  • Lippard, L. (1997). The Lure of the local: Senses of place in a multicultural society. New York, NY: The New Press.

    Google Scholar 

  • Lippard, L. (1999). On the beaten track; Tourism, art and place. New York, NY: The New Press.

    Google Scholar 

  • Lister, M. (1998). Catalogue essay. Afterimages: A re-presentation of selected works by Annie Lovejoy 1993–1998. Bristol, UK: InSites Publishing.

    Google Scholar 

  • Massey, D. (2005). For space. London: Sage.

    Google Scholar 

  • Murdin, A. (2010). Common places: An artist’s brief. In Wide Open Space: Developing creative places in dorset. Bristol, UK: Willis and Newson.

    Google Scholar 

  • O’Donohue, J. (1999). Anam Cara: Spiritual wisdom from the Celtic world. London, UK: Bantam Books.

    Google Scholar 

  • Raven, A. (1995). A word of honour: The critics voice. In S. Lacy (Ed.), Mapping the terrain: New genre public art. Seattle, WA: Bay Press.

    Google Scholar 

  • Rubinstein, D., & Sluis, K. (2013). The digital image in photographic culture: Algorithmic photography and the crisis of representation. In M. Lister (Ed.), The photographic image in digital culture. Oxford, UK: Routledge.

    Google Scholar 

  • Sontag, S. (1994). Against interpretation. London, UK: Vintage.

    Google Scholar 

  • Stiles, K., & Selz, P. (1996). Theories and documents of contemporary art: A sourcebook of artists’ writings. Berkeley: University of California Press.

    Google Scholar 

  • Tolia-Kelly, D. (2011). The geographies of cultural geography II: Visual culture. Progress in Human Geography,36, 135–142.

    Article  Google Scholar 

  • Wachtel, E. (1993). The first picture show: Cinematic aspects of cave art. Leonardo,26, 135–140.

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Annie Lovejoy .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Lovejoy, A. (2019). “Call That Art? I Call It Bad Eyesight”: Seeing or Not Seeing in the Context of Responsive Art Practice. In: Boyd, C.P., Edwardes, C. (eds) Non-Representational Theory and the Creative Arts. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-13-5749-7_9

Download citation

  • DOI: https://doi.org/10.1007/978-981-13-5749-7_9

  • Published:

  • Publisher Name: Palgrave Macmillan, Singapore

  • Print ISBN: 978-981-13-5748-0

  • Online ISBN: 978-981-13-5749-7

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics