Abstract
My skin is bare and chilled. My toes are warm in slippers. I am sitting at the dinner table in the silent dark looking into the research blog. It is brimming with nests . (In this chapter) I am looking in to remember the disruptive, creative practice of blogging with the words space, place , body as my frame. I will speak about my how research has generated a new sense of sustenance in life for me, blurring the space between me and the place I live, through the creative disruptions of blogging .
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Notes
- 1.
Vivi’s knitted birth blessing baby blanket (wool, 2015) was made with various women (see Acknowledgements), Sarah Crinall.
- 2.
Bodyplaceblogposts are largely published without editing. See ‘A Note’ section for more information.
- 3.
A felted nest made with raw sheep’s wool in 2015, Sarah Crinall.
- 4.
2018.
- 5.
Western Port Unknown ii (oil on canvas, pre-2011), Robyn Carter, published with permission.
- 6.
Western Port Unknown iii (oil on canvas, pre-2011), Robyn Carter, published with permission.
- 7.
Western Port Unknown iv (oil on canvas, pre-2011), Robyn Carter, published with permission.
- 8.
Western Port Unknown i (oil on canvas, pre-2011), Robyn Carter, published with permission.
- 9.
A collection of matter in the toilet gathered from 2000-onward, Sarah Crinall.
- 10.
The collection of matter in the toilet gathered from 2000-onward, Sarah Crinall
- 11.
The collection of matter in the toilet gathered from 2000-onward, Sarah Crinall.
- 12.
A fallen nest on some cedar from the barn made in 2015, Sarah Crinall.
- 13.
A nest made with nan’s textiles and garden materials in 2011, Sarah Crinall.
- 14.
‘Watch out dad, I’m taking a photo for the book of the shearwater here’ (Photograph, 2018), Edith Maree Crinall Rowbottom, published with permission.
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Crinall, S. (2019). Nests. In: Sustaining Childhood Natures. Children: Global Posthumanist Perspectives and Materialist Theories. Springer, Singapore. https://doi.org/10.1007/978-981-13-3007-0_5
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