Abstract
The main aim of this chapter is to introduce different analytical positions and directions that researchers can take when analysing photographs. We cover the theoretical concepts of various analytical methods and extract the Grundgedanke (German: foundational thought) of each method. The different analytical approaches chosen draw researchers’ attention to different analytical aspects and data layers of a photograph. In other words, a photograph can look different—mean different—depending on what analytical approach has been chosen. To illustrate this, a single photograph is analysed employing different analytical approaches. This shows that applying different methods to the same image draws the researcher’s attention in various directions that produce differing analytical outcomes. The chapter concludes with a discussion of positionality in visual analysis and the possibilities of combining analytical methods to unfold the multilevel meanings of photographs.
The original version of this chapter was revised: For detailed information please see Erratum. The erratum to this chapter is available at https://doi.org/10.1007/978-981-10-7279-6_7
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Langmann, S., Pick, D. (2018). Photographic Analysis. In: Photography as a Social Research Method. Springer, Singapore. https://doi.org/10.1007/978-981-10-7279-6_5
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