The Maxims in Histoire de Madame de Luz

Abstract

In attempting an analysis of the maxims in Duclos’ first novel, Histoire de Madame de Luz, there clearly are a number of possible and valid approaches. One could study the themes of these maxims and then propose conclusions as to Duclos’ world-view. One could also undertake a character and plot investigation based on the maxims. Neither of these explorations could adequately consider the intriguing form mixture of maxim and novel which has been proposed as central to the aims of this study. Rather, one aspect of the narration of the novel, that of perspective, has been selected as the focal point and organizing center of this chapter. Several general areas of narration will be discussed, and then an intensive analysis of the varying perspectives, or points of view of the maxims, will be attempted. It is felt that this technique will incorporate a maxim-centered consideration of the intricate relationship of the maxims and the novel, and will best allow us to approach comprehensively the most essential questions of subject and construction, yielding conclusions about the aesthetic and ethical workings of the maxims and of the novel.