Skip to main content
SpringerLink
Log in
Book cover

Online Music Distribution - How Much Exclusivity Is Needed? pp 355–357Cite as

Further Objectives

  • Chapter
  • First Online:

  • 303 Accesses

Part of the book series: Munich Studies on Innovation and Competition ((MSIC,volume 12))

Abstract

A number of other objectives are commonly recognized as rationales of copyright protection, but appear less relevant in the context of OMD. These objectives will be briefly discussed here.

This is a preview of subscription content, log in via an institution.

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Notes

  1. 1.

    For an overview see Hansen, Warum Urheberrecht?, pp. 23–24, 91; Fisher, in: Munzer (ed.), New Essays in the Legal and Political Theory of Property, 168, 171–172, 189–194; Menell, in: Bouckaert/de Geest (eds.), Encyclopedia of Law and Economics, Vol. II, 129, 158–159.

  2. 2.

    See Hansen, Warum Urheberrecht?, pp. 91, 100–101 with further references.

  3. 3.

    See also Hansen, Warum Urheberrecht?, p. 101.

  4. 4.

    See above Sect. 1 D.

  5. 5.

    Similarly Wolff, Zwangslizenzen im Immaterialgüterrecht, p. 74 (holding that an extension of applicability of the compulsory license of Sec. 42a UrhG to online uses does not interfere with moral rights, as the work is not modified in the case of online transmission).

  6. 6.

    See above Chap. 4 footnote 14.

  7. 7.

    See Fisher, in: Munzer (ed.), New Essays in the Legal and Political Theory of Property, 168, 172–173.

  8. 8.

    See Netanel, 106 Yale L.J. 283 (1996); Netanel, 51 Vand. L. Rev. 217 (1998).

  9. 9.

    Netanel, 106 Yale L.J. 283, 288, 347–364 (1996).

  10. 10.

    Fisher, 73 Chi.-Kent L. Rev. 1203, 1215–1218 (1998); Fisher, in: Munzer (ed.), New Essays in the Legal and Political Theory of Property, 168, 192–193.

  11. 11.

    See Lessig, Free Culture, p. xiv.

  12. 12.

    Hansen, Warum Urheberrecht?, pp. 278–294.

  13. 13.

    See also above Sect. 10 A I 1.

  14. 14.

    See also above Sect. 10 A II 3 b and Chap. 10 footnote 55.

Author information

Authors and Affiliations

  1. Munich, Germany

    Nikita Malevanny

Authors
  1. Nikita Malevanny
    View author publications

    You can also search for this author in PubMed Google Scholar

Rights and permissions

Reprints and permissions

Copyright information

© 2019 Springer-Verlag GmbH Germany, part of Springer Nature

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Malevanny, N. (2019). Further Objectives. In: Online Music Distribution - How Much Exclusivity Is Needed?. Munich Studies on Innovation and Competition, vol 12. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-59699-9_12

Download citation

  • DOI: https://doi.org/10.1007/978-3-662-59699-9_12

  • Published:

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-662-59698-2

  • Online ISBN: 978-3-662-59699-9

  • eBook Packages: Law and CriminologyLaw and Criminology (R0)

Publish with us

Policies and ethics

Search

Navigation