This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsLiteratur
Attali, Jacques: Noise. The Political Economy of Music. Minneapolis 1985 (frz. 1977).
Birdsall, Carolyn: Nazi Soundscapes. Sound, Technology and Urban Space in Germany, 1933–1945. Amsterdam 2012.
Bruton, Elizabeth/Gooday, Graeme: Listening in combat – surveillance technologies beyond the visual in the First World War. In: History and Technology 32/3 (2016), 213–226.
Daughtry, J. Martin: Listening to War. Sound, Music, Trauma, and Survival in Wartime Iraq. Oxford/New York 2015.
Davis, James A.: Music Along the Rapidan. Civil War Soldiers, Music, and Community during Winter Quarters, Virginia. Lincoln, NE 2014.
Goodman, Steve: Sonic Warfare. Sound, Affect, and the Ecology of Fear. Cambridge, MA 2010.
Jacobs, Annelies: The silence of Amsterdam before and during World War II. Ecology, semiotics, and politics of urban sound. In: Daniel Morat (Hg.): Sounds of Modern History. Auditory Cultures in 19th- and 20th-Century Europe. New York 2014, 306–323.
Kutzler, Evan A.: Captive audiences. Sound, silence, and listening in Civil War prisons. In: Journal of Social History 48/2 (2014), 239–263.
MacKenzie, S. P.: Sensory burden and emotional casualty rates in RAF bomber command during the Second World War. In: Global War Studies [im Ersch.].
McWhirter, Christian: Battle Hymns. The Power and Popularity of Music in the Civil War. Chapel Hill, NC 2012.
Morat, Daniel: Cheers, songs, and marching sounds. Acoustic mobilization and collective affects at the beginning of World War I. In: Ders. (Hg.): Sounds of Modern History. Auditory Cultures in 19th- and 20th-Century Europe. New York 2014, 177–200.
Ross, Alex: When music is violence. In: The New Yorker, 4.7.2016, http://www.newyorker.com/magazine/2016/07/04/when-music-is-violence (30.1.2018).
Schwartz, Hillel: Making Noise. From Babel to the Big Bang and Beyond. New York 2011.
Smith, Mark M.: Of bells, booms, sounds, and silences. Listening to the Civil War South. In: Joan E. Cashin (Hg.): The War Was You and Me. Civilians in the American Civil War. Princeton 2002, 9–34.
Smith, Mark M.: The Smell of Battle, the Taste of Siege. A Sensory History of the Civil War. New York 2014.
Volmar, Axel: In storms of steel. The soundscape of World War I and its impact on auditory media culture during the Weimar period. In: Daniel Morat (Hg.): Sounds of Modern History. Auditory Cultures in 19th- and 20th-Century Europe. New York 2014, 227–255.
Watkins, Glenn: Proof Through the Night. Music and the Great War. Berkeley 2003.
Winterton, Melanie: The sensory signature of being an airman in a Second World War Lancaster bomber aeroplane. In: Nicholas J. Saunders/Paul Cornish (Hg.): Modern Conflict and the Senses. London 2017, 237–255.
Ziemer, Hansjakob: Listening on the home front. Music and the production of social meaning in German concert halls during World War I. In: Daniel Morat (Hg.): Sounds of Modern History. Auditory Cultures in 19th- and 20th-Century Europe. New York 2014, 201–224.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer-Verlag GmbH Deutschland, ein Teil von Springer Nature
About this chapter
Cite this chapter
Smith, M.M. (2018). Krieg. In: Morat, D., Ziemer, H. (eds) Handbuch Sound. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-05421-0_73
Download citation
DOI: https://doi.org/10.1007/978-3-476-05421-0_73
Published:
Publisher Name: J.B. Metzler, Stuttgart
Print ISBN: 978-3-476-02604-0
Online ISBN: 978-3-476-05421-0
eBook Packages: J.B. Metzler Humanities (German Language)