Abstract
The current chapter reports on a longitudinal research project trying to understand what creativity means. While filled with plenty of frustrations and mistakes, it has opened up a different way of analyzing creativity – from an academic field, sociology, that has not paid much attention to the concept, and offered the kind of insights that are made possible only by combining different research methodologies.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsReferences
Andreasen, N. (2014). Secrets of the creative brain. The Atlantic, July–August. Retrieved from http://www.theatlantic.com/features/archive/2014/06/secrets-of-the-creative-brain/372299/
Babbie, E. (2010). The practice of social research. Belmont, CA: Wadsworth.
Bett, W. R. (1952). The infirmities of genius. New York: Philosophical Library.
Center for World University Ranking. (2017). Retrieved from http://cwur.org/2017.php
Csikszentmihalyi, M. (1998). Society, culture and person, a systems view of creativity. In R. Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives (pp. 325–339). Cambridge, UK: Cambridge University Press.
Denzin, K. N., & Lincoln, Y. S. (2008). Introduction: The discipline and practice of qualitative research. In K. N. Denzin & Y. S. Lincoln (Eds.), Strategies of qualitative inquiry (pp. 1–43). Los Angeles: Sage Publications.
Ekvall, G. (1996). Organizational climate for creativity and innovation. European Journal of Work and Organizational Psychology, 5(1), 105–123.
Eysenck, H. (1997). Creativity and personality: Word associations, origence and psychoticism. In M. Runco & R. Richards (Eds.), Eminent creativity, everyday creativity, and health (pp. 107–118).
Fast Company. (2016). 100 most creative people in Business – Why Hamilton’s Lin-Manuel Miranda is No.1. June, issue # 206. New YorkY: Mansueto Ventures.
Fayard, A-L., & Weeks, J. (2011). Who Moved My Cube? Creating workspaces that actually foster collaboration. Harvard Business Review, July–August, 103–110.
Florida, R. (2002). The rise of the creative class, and how It’s transforming work, leisure, community and everyday life. New York: Basic Books.
Garber, M. (2002). Our genius problem. Atlantic Monthly, 5, December.
Glaveanu, V. P. (2011). Creating creativity: Reflections from fieldwork. Integrative Psychological and Behavioral Science, 45(1), 100–115.
Glaveanu, V. P. (2014). Distributed creativity: Thinking outside the box of the creative individual. New York: Springer Briefs in Psychology.
Guilford, J. P. (1950). Creativity. The American Psychologist, 5, 444–454.
Holm-Hadulla, R., Roussel, M., & Hofmann, F.-H. (2010). Depression and creativity – The case of the German poet, scientist and statesman J.W. von Goethe. Journal of Affective Disorders, 121(1–3), 43–49.
IDEO. (2018). Insights for innovation. Retrieved from http://www.ideou.com/products/insights-for-Innovation
Karwowski, M. (2014). Creative mindsets: Measurement, correlates, consequences. Psychology of Aesthetics, Creativity and the Arts, 8(1), 62–70.
Keynes, M. (1995). Creativity and psychopathology: A study of 291 world-famous men. British Journal of Psychiatry, 165, 22–34.
Martin, R. (2011). The innovation catalysts – The best creative thinking happens on a company’s front lines. You just need to encourage it. Harvard Business Review, June, 2–7.
MSNBC. (2017). http://www.msn.com/en-us/money/careersandeducation/the-20-best-Business-schools-in-America/
MSNBC. (2018). Revolution series, Interview with Apple CEO Tim Cook. Retrieved from http://bgr.com/2018/04/06/tim-cook-interview-msnbc-transcript-questions/
Reuter, M. (2015). Creativity – A Sociological approach. London: Palgrave Macmillan.
Rhodes, M. (1961). An analysis of creativity. Phi Delta Kappa, 42, 305–310.
Sawyer, R. K. (2007). Group genius, the creative power of collaboration. New York: Basic Books.
Smith, G. (2008). The creative personality in search of a theory. Creativity Research Journal, 20(4), 383–390.
Stein, M. (1953). Creativity and culture. The Journal of Psychology, 36(2), 311–322.
Thompson, N. (2002). May the source be with you. The Washington Monthly, 34(7/8), 34–36.
Tucker, W. T. (1965). Max Weber’s ‘Verstehen’. The Sociological Quarterly, 6(2), 157–165.
Vangkilde, K. T. (2012). Branding HUGO BOSS: An anthropology of creativity in fashion (PhD. thesis). University of Aarhus, Kopenhagen, Denmark. PhD Series no. 70. Faculty Of Social Sciences, University of Copenhagen: Department of Anthropology.
Vidich, A. J., & Lyman, S. M. (2000). Qualitative methods: Their history in sociology and anthropology. In N. K. Denzin & Y. S. Lincoln (Eds.), Handbook of qualitative research (2nd ed., pp. 37–84). Thousand Oaks, CA: Sage Publication.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Reuter, M. (2019). Fun, Foibles and Frustrations. In: Lebuda, I., Glăveanu, V.P. (eds) The Palgrave Handbook of Social Creativity Research. Palgrave Studies in Creativity and Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-95498-1_35
Download citation
DOI: https://doi.org/10.1007/978-3-319-95498-1_35
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-95497-4
Online ISBN: 978-3-319-95498-1
eBook Packages: Behavioral Science and PsychologyBehavioral Science and Psychology (R0)