Abstract
This chapter charts the ways in which young women’s negotiations of dress in the NTE are shaped by notions of visibility and authenticity and also by class. I explore the ways in which an exaggerated or emphasised mode of femininity is normalised to an extent within the NTE and highlight some of the pleasures and values young women found in their negotiations of femininity through dress, whether wholeheartedly embracing or ‘flashing’ femininity. Tensions and ambivalences are exposed as the participants both adopted and resisted elements of ‘girly’ and ‘tomboy’ identities. I then explore the ways in which forms of classed othering function to construct the feminine self in contrast to those who are perceived to lack the taste and resources to ‘do’ femininity appropriately and instead embody a somehow inauthentic and overdone performance of femininity. I briefly consider the intersections between hyper-feminine and ‘slutty’ dress, and finally explore how attempts by working-class young women to resignify a more excessive look as ‘glamorous’ may be mocked and judged beyond the local context.
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- 1.
Of course, Kimberley’s use of the word ‘tarty’ here may have little or nothing to do with the wearer’s perceived or actual sexual behaviour; simply wearing the ‘wrong’ clothing can earn that particular label (as Holland argues, ‘promiscuity is rarely the real issue when using these words’ (2004: 126)).
- 2.
At the time of the research, Missy and Revolution were clothing and shoe shops in Newcastle city centre (names have been changed).
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Nicholls, E. (2019). ‘What Else About Her Is Fake?’: ‘Emphasised’ Femininity, Authenticity and Appearance. In: Negotiating Femininities in the Neoliberal Night-Time Economy. Genders and Sexualities in the Social Sciences. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-93308-5_5
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