Skip to main content

Eliot as Psychological Novelist

  • Chapter
  • First Online:
  • 200 Accesses

Abstract

Though it has been claimed that Eliot anticipates the ‘psychological turn’ in the novel as a form, she is still widely viewed as remaining confined within Victorian conventions. Henry James, however, misses the point when he claims that Eliot neglects the opportunity for a properly psychological approach by refusing to restrict her focus to one dominating consciousness. Though still able to explore individual psychology in depth, in her later novels especially the main interest is rather in psychological interactions. She also anticipates one of Freud’s central ideas: the relation between narcissism and the unconscious. In focusing on narcissism, the unconscious and interaction between different minds and consciousnesses, Eliot is in advance not merely of Victorian but of much modern fiction.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   49.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   64.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   89.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Notes

  1. 1.

    See Cairns Craig, Associationism and the Literary Imagination: From the Phantasmal Chaos (Edinburgh: Edinburgh University Press, 2007), 158–80.

  2. 2.

    For a detailed discussion of the barrister’s letter, Eliot’s response to it, and the legal issues raised by it, see K. M. Newton , ‘Another “Spoiling Hand” at Work on Middlemarch’ , in Studies in Victorian and Modern Literature: A Tribute to John Sutherland, ed. William Baker (Madison-Teaneck: Farleigh Dickinson University Press, 2015), 153–60.

  3. 3.

    See Ricarda Huch, Blütezeit der Romantik (Leipzig, 1905), 22 (‘Sie hätte ihn beflügeln sollen und zog ihn, in der Meinung, sein Wohl zu befördern, mit starkem Gewicht zur Erde.’). For a more detailed discussion, see K. M. Newton , ‘Historical Prototypes in Middlemarch’, English Studies, 56 (1975), 403–8.

  4. 4.

    The implied concept of language in Laing and Pinter is one in which there is a discontinuity between the semantic and semiotic. This has certain parallels with the linguistic theory of Emile Benveniste and the hermeneutics of Paul Ricoeur:

    …Benveniste defines semiotics and semantics against one another… In semiotics, the sign constitutes the smallest unit of the code. In semantics, the sentence or utterance fulfils this role… The semantic unit, the utterance [for Ricoeur], is thus rendered irreducible to the internal relations of the semiotic code … it is only within the instance of discourse that language has a reference, and what is more, a reference to the speaking subject… ‘Speaking is the act by which the speaker overcomes the closure of the universe of signs, in the intention of saying something to someone; speaking is the act by which language moves beyond itself as sign toward its reference and toward what it encounters.’ Sophie Vlacos , Ricoeur, Literature and Imagination (New York: Bloomsbury Academic, 2014), 46–8.

  5. 5.

    It may be relevant that James’s brother, William , in his book The Principles of Psychology (1890) discusses associationism and has sympathy with some of its aspects but remains critical of it, and though he described himself as a ‘radical empiricist’ his form of it is significantly different from that of the Lewes-Eliot circle. For example, James tried to align it with spiritualism.

Bibliography

  • David Carroll (ed.), George Eliot: The Critical Heritage (London: Routledge and Kegan Paul, 1971).

    Google Scholar 

  • Cairns Craig, Associationism and the Literary Imagination: From the Phantasmal Chaos (Edinburgh: Edinburgh University Press, 2007).

    Google Scholar 

  • Gordon S. Haight (ed.), A Century of George Eliot Criticism (London: Methuen, 1965).

    Google Scholar 

  • Ricarda Huch, Blütezeit der Romantik (Leipzig, 1905).

    Google Scholar 

  • Henry James, ‘George Eliot’s Middlemarch,’ in A Century of George Eliot Criticism, ed. Gordon S. Haight (London: Methuen, 1965), 80–7.

    Google Scholar 

  • Colin Kidd, The World of Mr Casaubon: Britain’s Wars of Mythography, 1700–1870 (Cambridge: Cambridge University Press, 2016).

    Google Scholar 

  • R. D. Laing, Knots (Harmondsworth: Penguin, 1970).

    Google Scholar 

  • ———, Self and Others (First Published 1961) (Harmondsworth: Penguin, 1971).

    Google Scholar 

  • George Levine, Darwin and the Novelists: Patterns of Science in Victorian Fiction (Chicago: University of Chicago Press, 1991).

    Google Scholar 

  • J. Hillis Miller. Reading for Our Time: ‘Adam Bede’ and ‘Middlemarch’ Revisited (Edinburgh: Edinburgh University Press, 2012).

    Google Scholar 

  • K. M. Newton, ‘Historical Prototypes in Middlemarch,’ English Studies 56 (1975): 403–8.

    Google Scholar 

  • ———, ‘Another “Spoiling Hand” at Work on Middlemarch,’ in Studies in Victorian and Modern Literature: A Tribute to John Sutherland, ed. William Baker (Madison-Teaneck: Farleigh Dickinson University Press, 2015), 153–60.

    Google Scholar 

  • Sally Shuttleworth, George Eliot and Nineteenth-Century Science: The Make-Belief of a Beginning (Cambridge: Cambridge University Press, 1984), 172.

    Google Scholar 

  • Edith Simcox, ‘Middlemarch,’ in A Century of George Eliot Criticism, ed. Gordon S. Haight (London: Methuen, 1965), 73–80.

    Google Scholar 

  • Sophie Vlacos, Ricoeur, Literature and Imagination (New York: Bloomsbury Academic, 2014).

    Google Scholar 

  • Lynne Wells, Ian McEwan (Basingstoke: Palgrave Macmillan, 2010).

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Newton, K.M. (2018). Eliot as Psychological Novelist. In: George Eliot for the Twenty-First Century. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-91926-3_5

Download citation

Publish with us

Policies and ethics