Abstract
This chapter presents the structure of the book and the arguments for addressing professional and business ethical issues through reception and analysis of narrative films, as well as through discussions of relevant real-world cases. The task is to provoke discussions on film’s ethical import, on film’s artistic import, and on film’s business import. Following this introductory chapter, the book is organized in additional seven chapters. It starts by addressing normative ethical theories and critical thinking, and by presenting the elements of narrative film. Subsequent discussions include: the corporate and banking financial machinations, workplace harassment, corruption, whistleblowing, outsourcing and downsizing, innovation and competition, relation of businesses with stakeholders in society, personal responsibility and entity challenges due to career pressures, loss of privacy, and cyber harassment.
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Notes
- 1.
Hegel examined architecture, sculpture, painting, music and poetry in his Lectures on Aesthetics, between 1818 and 1819 (Hegel 1975). Due to the invention of motion picture cameras, the establishment of film production companies started in 1890s. However, it was not until 1911 that the film was named the “seventh art.” Riciotto Canudo in 1911 initially named film the sixth art form, but subsequently changed it to the seventh art form, including dance as the sixth form. The first films were under a minute long and the sound was introduced in 1927.
- 2.
See the discussion in Aristotle (1975, 1103a24).
- 3.
Stanley Kubrick commented on editing, “…Editing is the only unique aspect of filmmaking which does not resemble any other art form – a point so important it cannot be overstressed… It can make or break a film.” (Walker 1999, p. 42).
- 4.
Scorsese’s lecture is available at https://www.neh.gov/about/awards/jefferson-lecture/2013-jefferson-lecture-live-stream.
- 5.
See the obituary in The New York Times “Sidney Lumet, Director of American Film Classics, Dies at 8” (Berkvist 2011).
- 6.
See the discussion in Darren Aronofsky’s Films and the Fragility of Hope (Skorin-Kapov 2017, pp. 143–144).
- 7.
See the discussion in The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity (Skorin-Kapov 2016).
- 8.
See the report by Greg Miller, “Data from a Century of Cinema Reveals How Movies Have Evolved” (Miller 2014).
- 9.
See “The Brain Is the Screen: An Interview with Gilles Deleuze,” in The Brain Is the Screen (Flaxman 2000).
- 10.
- 11.
The documentary The Real Wolf of Wall Street is a presentation from September 10, 2014 at the 92nd Street Y, at the Forum on Law, Culture & Society, NYU School of Law, available at https://www.youtube.com/watch?v=ojPgjguFgLk.
- 12.
The list of mass shootings in America: https://www.washingtonpost.com/graphics/national/mass-shootings-in-america/.
- 13.
Use of industrial robots in manufacturing; World Economic Forum: Top 9 ethical issues in artificial intelligence https://www.weforum.org/agenda/2016/10/top-10-ethical-issues-in-artificial-intelligence/.
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Skorin-Kapov, J. (2019). Introduction. In: Professional and Business Ethics Through Film. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-89333-4_1
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