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Women Professionals in 1930s’ Film: Westerns in the Context of the Progressive Age and the New Deal Gender Politics

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Abstract

This chapter shows how certain pro-feminist Westerns of the 1930s resist the sexist reaction against first-wave feminism by representing female protagonists who revive gender ideology inherited from the earlier Progressive era.

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Works Cited

  • Annie Oakley. Dir. George Stevens. RKO Radio Pictures, Inc., 1935. Warner Home Video, 2007. DVD.

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  • Cimarron. Dir. Wesley Ruggles. RKO, 1931. Warner Home Video, 2006. DVD.

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  • Destry Rides Again. Dir. George Marshall. 1939. Universal Studios Home Entertainment, 2003. DVD.

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  • Frankel, Noralee, and Nancy Schrom Dye. Gender, Class, Race, and Reform in the Progressive Era. Lexington, KY: University of Kentucky, 1991. Print.

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  • Hapke, Laura. Daughters of the Great Depression: Women, Work, and Fiction in the American 1930s. Athens: University of Georgia Press, 1965. Print.

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  • Melosh, Barbara. Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. Washington, DC: Smithsonian Institution, 1991. Print.

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  • Muncy, Robyn. Creating a Female Dominion in American Reform, 1890–1935. New York: Oxford University Press, 1991. Print.

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  • The Plainsman. Dir. Cecil B. DeMille. 1936. Universal Studios Home Entertainment, 2004. DVD.

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  • Stagecoach. Dir. John Ford. 1939. Criterion, 2010. DVD.

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  • The Squaw Man. Dir. Cecil B. DeMille. 1931. Warner Archive, 2006. DVD.

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  • Union Pacific. Dir. Cecil B. DeMille. 1939. Universal, 2014. DVD.

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Correspondence to Mark E. Wildermuth .

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Wildermuth, M.E. (2018). Women Professionals in 1930s’ Film: Westerns in the Context of the Progressive Age and the New Deal Gender Politics. In: Feminism and the Western in Film and Television. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-77001-7_2

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