Summary
This chapter introduces the difficult subject of musical ontology. Such a discussion is substantial for a reconciliation of traditional musicology and innovative perspectives in cognitive and computational musicology.
Musik ist ohne Begriffe.
Hans Heinrich Eggebrecht [232, p.192]
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Mazzola, G. (2017). Musical Ontology. In: The Topos of Music I: Theory. Computational Music Science. Springer, Cham. https://doi.org/10.1007/978-3-319-64364-9_3
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DOI: https://doi.org/10.1007/978-3-319-64364-9_3
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Publisher Name: Springer, Cham
Print ISBN: 978-3-319-64363-2
Online ISBN: 978-3-319-64364-9
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