Abstract
This chapter looks at comedy in DreamWorks’ films and in particular the pop-culture references which characterise their approach to humour. Through comprehensive discussion of these gags, delineating the different forms that they can take, it employs and reformulates existing theories of comedy to explain the humour behind them. The chapter applies a variety of approaches to three very different intertextual gags from Shrek 2. It engages with the notion that comedy derives from incongruity and therefore from the contrast between these intertexts and the contexts in which they are used, combining this theory with the little-explored idea of the ‘comedy of recognition’, to explain the basic comic appeal of specific familiar intertexts.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Barrier, Michael. 1999. Hollywood Cartoons: American Animation in Its Golden Age. Oxford: Oxford University Press.
Buchan, Suzanne. 2006. “The Animated Spectator: Watching the Quay Brothers’ ‘Worlds’.” In Animated Worlds, edited by Suzanne Buchan, 15–38. Eastleigh: John Libbey Publishing.
Critchley, Simon. 2002. “Did You Hear the One About the Philosopher Writing a Book on Humour?” Think 1: 103–112.
Dunne, Michael. 2001. Intertextual Encounters in American Fiction, Film, and Popular Culture. Bowling Green: Bowling Green State University Press.
Furniss, Maureen. 2007. Art in Motion: Animation Aesthetics. Rev. ed. London: John Libbey.
Genette, Gérard. 1997. Palimpsests: Literature in the Second Degree. London: University of Nebraska Press.
Grodal, Torben. 1999. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford: Clarendon Press.
Holliday, Christopher. 2018. The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press.
Jordan, Thomas H. 1975. The Anatomy of Cinematic Humour. New York: Revisionist Press.
Klein, Norman. 1995. Seven Minutes: The Life and Death of the American Animated Cartoon. London: Verso.
Lippitt, John. 1992. “Humour.” In A Companion to Aesthetics, edited by David E. Cooper, 199–203. Oxford: Blackwell.
Magedanz, Stacy. 2006. “Allusion as Form: The Wasteland and Moulin Rouge!” Orbis Litterarum 61: 160–179.
Mast, Gerald. 1979. The Comic Mind: Comedy and the Movies. Chicago: University of Chicago Press.
McCallum, John. 1998. “Cringe and Strut: Comedy and National Identity in Post-War Australia.” In Because I Tell a Joke or Two: Comedy, Politics and Social Difference, edited by Stephen Wagg, 202–220. London: Routledge.
Morreall, John. 1983. Taking Laughter Seriously. New York: SUNY Press.
Neale, Steve, and Frank Krutnik. 1990. Popular Film and Television Comedy. London: Routledge.
Olson, Elder. 1968. The Theory of Comedy. Bloomington: Indiana University Press.
Palmer, Jerry. 1987. The Logic of the Absurd: On Film and Television Comedy. London: BFI.
Palmer, Jerry. 1994. Taking Humour Seriously. London: Routledge.
Stott, Andrew. 2005. Comedy. London: Routledge.
Suls, Jerry. 1983. “Cognitive Processes in Humour Appreciation.” In Handbook of Humor Research, Vol. 1: Basic Issues, edited by Paul E. McGhee and Jeffrey H. Goldstein, 39–57. New York: Springer-Verlag.
Summers, Sam. 2018. “From Shelf to Screen: Toys as a Site of Intertextuality.” In Toy Story, edited by Susan Smith, Noel Brown, and Sam Summers, 127–140. London: Bloomsbury.
Thompson, Kristen. 1980. “Implications of the Cel Animation Technique.” In The Cinematic Apparatus, edited by Teresa de Lauretis and Stephen Heath, 106–120. London: Macmillan Press.
Turnbull, Sue. 2016. “‘Look at Moiye, Kimmie, Look at Moiye!’: Kath and Kim and the Australian Comedy of Taste.” Media International Australia 113: 98–109.
Wells, Paul. 1998. Understanding Animation. London: Routledge.
Wells, Paul. 2002. Animation and America. Edinburgh: Edinburgh University Press.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Summers, S. (2020). Why Is Shrek Funny?: DreamWorks and the Intertextual Gag. In: DreamWorks Animation. Palgrave Animation. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-36851-7_2
Download citation
DOI: https://doi.org/10.1007/978-3-030-36851-7_2
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-36850-0
Online ISBN: 978-3-030-36851-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)