Skip to main content

Furniture as a Piece of Design and as a Piece of Decorative Arts

  • Chapter
  • First Online:
Perspective on Design

Part of the book series: Springer Series in Design and Innovation ((SSDI,volume 1))

  • 684 Accesses

Abstract

Most of the time, when it comes to furniture developed until the early 20th century, furniture is referred to as a piece of Decorative Arts. However, when furniture is produced industrially it is already considered an object of Design. This division between furniture as a Decorative Art or as a work of Design is little discussed, although some manuals on history of design already cover periods prior to industrial production, putting that furniture and the one that is considered Design together in the same definition. A piece of furniture is constituted by several components that are organized in a system. That system can be analyzed on several domains, such as constructive, formal, functional, socio cultural, economic, semantic and symbolic. In one or more of these domains we can find a decorative art, but not in the piece of furniture as a whole. This study results from the observation of different pieces of furniture from different periods. Each piece of furniture is studied in its different domains allowing an intrinsic synthesis. Using this method of studying the piece of furniture we intend to question if furniture should be seen as a Decorative Art object or as a Design object.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    “One of the attractions of the history of furniture, lies in the fact that its perspectives are constantly changing”.

  2. 2.

    “Joze Aniceeto Raposo has made this table, Loureto, Lisbon”. (José Aniceto Raposo, a well-known Portuguese master-carver was one of the few Portuguese masters that signed his work).

  3. 3.

    “Decorative art was in the doldrums”.

  4. 4.

    “The machine, a modern phenomenon, operates in the world a reformation of the mind”.

  5. 5.

    “Yet, intact, the human factor remains, the machine being designed by man, for human needs”.

  6. 6.

    “Objects of use intended to facilitate the unpleasant tasks of everyday life”.

  7. 7.

    “At first objects are answers to a necessity, thereafter they define a way of living”.

  8. 8.

    “In the case of pieces of furniture that have as purpose to contribute to the accomplishment of physiological functions like the bed to sleep, the seats to rest, the tables to eat, or to the performance of certain tasks like the office desks and the school desks, the furniture becomes an extension of the human body to the point of constituting with it a single whole…”.

  9. 9.

    “A great incertitude about styles”.

  10. 10.

    Interforma was a Portuguese furniture factory.

  11. 11.

    Olaio was a Portuguese furniture factory.

References

  • Anúncio publicitário Interforma (1971) Arquitectura – Planeamento – Design – Artes Plásticas 120

    Google Scholar 

  • Borges A (2007) Sérgio Rodrigues. Viana & Mosley, Rio de Janeiro

    Google Scholar 

  • Carvalho JC (1978) O design e a indústria de mobiliário: intervenção do designer Cruz de Carvalho na Movelnor Braga 1977. Casa & Decoração 40:44–47

    Google Scholar 

  • Corbusier L (1996) L’Art Décoratif d’aujourd’hui. Flammarion, Paris

    Google Scholar 

  • Ferrão B (1990) Mobiliário português. Lello & Irmão, Porto

    Google Scholar 

  • Fiell C, Fiell P (2002) Chairs. Tashen, Köln

    Google Scholar 

  • Freire FC, Pedroso G, Henriques RP (2001) Mobiliário: Móveis de Assento e de Repouso. Fundação Ricardo do Espírito Santo Silva, Lisboa

    Google Scholar 

  • Freire FC, Pedroso G, Henriques RP (2002) Mobiliário: Móveis de conter, pousar e de aparato. Fundação Ricardo do Espírito Santo Silva, Lisboa

    Google Scholar 

  • Gulbenkian FC (ed) (2009) Sena da Silva. Fundação Calouste Gulbenkian, Lisboa

    Google Scholar 

  • Fusco R (2005) Historia del diseño. Santa & Cole Publicaciones, Barcelona

    Google Scholar 

  • Silva CA (1912) Grande Marcenaria Moderna – Fábrica de móveis movida a electricidade. Occidente: Revista Ilustrada de Portugal e do Estrangeiro 1211:181–182

    Google Scholar 

  • Lucie-Smith E (2004) Histoire du mobilier. Thames & Hudson, Paris

    Google Scholar 

  • Pinto AC (1952) Cadeiras Portuguesas. Augusto Cardoso Pinto & F. F. da Silva Nascimento. Fig 209, Lisboa

    Google Scholar 

  • Pugin AW (1835) Gothic Furniture in the style of the Fifteenth Century. Ackermann & Co., London

    Google Scholar 

  • Raizman D (2003) History of modern design. Laurence King Publishing, Londres, London

    Google Scholar 

  • Santos RA (2003) Cadeiras Portuguesas Contemporâneas. Asa editores, Porto

    Google Scholar 

  • Direcção Geral do Património Cultural (2019) Ficha de inventário Palácio Nacional da Ajuda: 2392. Available via MatrizNet Cited 14 May 2019 http://www.matriznet.dgpc.pt/MatrizNet/Objectos/ObjectosConsultar.aspx?IdReg=992131&EntSep=3#gotoPosition. Cited 14 May 2019

  • Selmersheim T (2005) La dissolution de L’Art dans Tout et le « marasme » des arts décoratifs. In: Rossella Froissart Pezone. L’art dans tout: Les arts décoratifs en France et l’utopie d’un Art nouveau. CNRS Éditions, Paris. Accessed via Open editions books 24 Apr 2019. http://books.openedition.org/editionscnrs/8431

Further Reading

  • 1ª Exposição de design português 1971, Lisboa

    Google Scholar 

  • Canti T (1999) O móvel no Brasil: origens, evolução e características. Editora Agir & Fundação Ricardo do Espírito Santo Silva, Lisboa

    Google Scholar 

  • Nunes G (2012) O mobiliário português de produção em série do terceiro quartel do século XX (1951-1974). Faculdade de Arquitectura de Lisboa, Lisboa

    Google Scholar 

  • Pedroso G (2013) José Espinho: a diversidade no fazer. Uzina books, Lisboa

    Google Scholar 

  • Pedroso G (2017a) José Espinho: o homem na sua época. In: José Espinho: Vida e obra. Caleidoscópio, Lisboa

    Google Scholar 

  • Pedroso G (2017b) Neorrústico, moderno e estética industrial. In: José Espinho: Vida e obra. Caleidoscópio, Lisboa

    Google Scholar 

  • Pedroso G (2017c) José Espinho, o percurso e a visão nos móveis Olaio. In: Móveis Olaio 1886–1998. Câmara Municipal de Loures, Loures

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Graça Pedroso .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2020 Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Pedroso, G. (2020). Furniture as a Piece of Design and as a Piece of Decorative Arts. In: Raposo, D., Neves, J., Silva, J. (eds) Perspective on Design. Springer Series in Design and Innovation , vol 1. Springer, Cham. https://doi.org/10.1007/978-3-030-32415-5_26

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-32415-5_26

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-32414-8

  • Online ISBN: 978-3-030-32415-5

  • eBook Packages: EngineeringEngineering (R0)

Publish with us

Policies and ethics