Abstract
This chapter presents a sustained account of the manifold ways whereby the body, in Barker, is depicted to be invariably intermeshed in the mechanisms of knowledge and (ethical-political) power, along with the competing economies of desire and subjectivation. The body is also discerned as the place of convergence, contestation, and interplay of diverse discursive and non-discursive forces. Body thus features as a conflicted site of self-knowledge, of the inscription/interiorization of the Law, and the expression/experience of transgressive desire, heteronomous ethics, and pain (as a means of either de- or re-subjectivation). This chapter unravels the densely woven and manifold image of the body in The Castle and other plays by delineating how various modes of power (sovereign, pastoral, and disciplinary)—with a particular focus on the anatomo-politics and bio-politics—take the embodied consciousness and body of the individual as their target. We will see how a salient instance of such twofold disciplinary practices—confession—reveals the concomitance of the hermeneutics of the subject and discursively produced modes of truth, value, and knowledge. One of the crucial outcomes of this discursive mechanism is the production of “soul as the prison of the body.” Finally, it will be discussed how Skinner’s quasi-pregnancy, manifested in her being festooned to the corpse, leads not only to a drastic re-configuration of her ontological, aesthetic-ethic and political gravities but also the re-schematization of her affective-cognitive orientation away from other-related homoerotic and obsessive-possessive love not. Therefore, becoming-other and autonomy for Skinner are double-edged—at once liberating and restrictive.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsNotes
- 1.
See Foucault’s The Use of Pleasure 5.
- 2.
See Foucault’s Discipline and Punish 136.
- 3.
Howard Barker, Judith in Collected Plays Three 256.
- 4.
Howard Barker, Possibilities in Collected Plays Two 116.
- 5.
Ibid.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Fakhrkonandeh, A. (2019). Disciplinary Apparatus and the Paining of Transgressive Bodies. In: Body and Event in Howard Barker's Drama. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-030-28699-6_5
Download citation
DOI: https://doi.org/10.1007/978-3-030-28699-6_5
Published:
Publisher Name: Palgrave Pivot, Cham
Print ISBN: 978-3-030-28698-9
Online ISBN: 978-3-030-28699-6
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)