Skip to main content

The Birth of Modernism: How the Science of Aesthetics Created One of the Most Popular Periods of Art

  • Chapter
  • First Online:
On Art and Science

Part of the book series: The Frontiers Collection ((FRONTCOLL))

Abstract

Despite contemporary post-modernist decades the still relatively recent paintings of Whistler, Gauguin, Van Gogh, Picasso, and Ernst Ludwig Kirchner remain in the ascendant in popularity. We think of these artists as Modern, but just when and how did Modernism in art come about?

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 49.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 64.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 89.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Aurier, A.: Les Isolés: Vincent van Gogh. Le Mercure de France. 1. Reprinted in Bouillon, J.-P. et al. (eds.) La Promenade du critique influent: Anthologie de la critique d’art en France, 1850–1900, p. 333. Hazan, Paris, 1990 (1890)

    Google Scholar 

  • Bain, A.: The Senses and the Intellect. J. W. Parker, London (1855)

    Book  Google Scholar 

  • Bain, A.: The Emotions and the Will, 2nd edn. Longmans, Green & Co, London (1865)

    Google Scholar 

  • Brettell, R.: Impression: Painting Quickly in France, 1860–1890. Yale University Press, New Haven and London (2000)

    Google Scholar 

  • Baudelaire, C.: La peinture de la vie moderne. In: Florenne, Y. (ed.) Ecrits sur l’art, vol. 2. Le livre de poche classique, Paris, 1971 (1863)

    Google Scholar 

  • Darwin, C.: On the Origin of Species by Means of Natural Selection or the Preservation of Favoured Races in the Struggle for Life, 2nd edn. John Murray, London (1869)

    Google Scholar 

  • Darwin, C.: The Descent of Man and Selection in Relation to Sex, 2nd edn. John Murray, London (1874)

    Book  Google Scholar 

  • Dawson, G.: Darwin, Literature, and Victorian Respectability. Cambridge University Press, Cambridge (2007)

    Google Scholar 

  • Denis, M.: Notes sur la peinture religieuse. Reproduced in Bouillon, J.-P. (ed.) Le ciel et l’Arcadie, pp. 32–48. Hermann, Paris, 1993 (1896)

    Google Scholar 

  • Denis, M.: Letter of January 26, 1906. In: Maurice, D. (ed.) Journal, vol. 3. Colombe, Paris (1957–59)

    Google Scholar 

  • Gauguin, P.: Letter to André Fontainas. Reproduced in Malingue, M. (ed.) Paul Gauguin, Letters to His Wife and Friends. MFA, Boston, 2003 (1899)

    Google Scholar 

  • Guyau, J.-M.: L’Art au point de vue sociologique [2001], reprint. Fayard, Paris (1888)

    Google Scholar 

  • Hatch, J.: A sense and essence of nature: wave patterns in the paintings of Frantisek Kupka. In: Ennis, A., Trower, S. (eds.) Vibratory Modernism, pp. 145–161. Houndmills, Palgrave (2013)

    Chapter  Google Scholar 

  • Henderson, L.: Vibratory modernism: Boccioni, Kupka, and the ether of space. In: Henderson, L., Clarke, B. (eds.) From Energy to Information: Representation in Science and Technology, Art and Literature, pp. 126–150. Stanford University Press, Stanford (2002)

    Google Scholar 

  • Kupka, F.: La Création dans les arts plastiques. Editions Cercle d’Art, Paris (1989)

    Google Scholar 

  • Laforgue, J.. Impressionism. (trans: Barrow S). In: Brettell, R. Impression: Painting Quickly in France, 1860–1890, pp. 233–235. Yale University Press, New Haven and London 2000 (1903)

    Google Scholar 

  • Larson, B.: Darwin, Burke, and the Biological Sublime. In: Larson, B., Flach, S. (eds.) Darwin and Theories of Aesthetics and Cultural History, pp. 17–36. Burlington, Vt. & Farnham, England, Ashgate (2013)

    Google Scholar 

  • Lewes, G.:Prolegomena. The History of Philosophy from Thales to Comte, 3rd edn., vol. 1, pp. xvi–xcv. Longmans, Green & Co., London (1867)

    Google Scholar 

  • Monet, C.: Letter to Durand-Ruel, January 12. In Wildenstein, D. (ed.) Claude Monet, Biographie et catalogue raisonné. Lausanne, 1974–9 vol. 2, p. 232 (1884)

    Google Scholar 

  • Pater, W.: The Earthly Paradise. In: Westminster Review, vol 90, pp. 300–312 (1868)

    Google Scholar 

  • Pissarro, C.: Camille Pissarro: Lettres à son fils Lucien. Rewald, J (ed.) Albin Michel, Paris (1950)

    Google Scholar 

  • Thomson, R: Emotive naturalism. In: Cogeval, G. (ed.) Claude Monet, 1840–1926, pp. 33–47. Galeries Nationales, Grand Palais, Paris (2010)

    Google Scholar 

  • Sheon, A.: Van Gogh’s Understanding of Theories of Neurosis, Neurasthenia and Degeneration in the 1880s. In: Masheck, J. (ed.) Van Gogh 100, pp. 173–191. Greenwood Press, Westport (1996)

    Google Scholar 

  • von Helmholtz, H.: Handbuch der physiologischen Optik. Leopold Voss, Leipzig (1867)

    Google Scholar 

  • von Helmholtz, H.: On the relation of optics to painting. In: Cahan, D. (ed.) Science and Culture: Popular and Philosophical Essays, pp. 279–308. University of Chicago Press, Chicago, 1995 (1871)

    Google Scholar 

  • Ward, M.: Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde. University of Chicago Press, Chicago (1996)

    Google Scholar 

  • Zervos, C.: Conversation avec Picasso. In: Bernadac, M.-L., Michael, A. (eds.) Pablo Picasso: Propos sur l’art, p. 1998. Gallimard, Paris (1935)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Barbara Larson .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Larson, B. (2019). The Birth of Modernism: How the Science of Aesthetics Created One of the Most Popular Periods of Art. In: Wuppuluri, S., Wu, D. (eds) On Art and Science. The Frontiers Collection. Springer, Cham. https://doi.org/10.1007/978-3-030-27577-8_5

Download citation

Publish with us

Policies and ethics