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A Nationalist Agenda in an EU Context: Implications for Contemporary Culture in Central Europe

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Book cover Cultural Diplomacy in Europe

Part of the book series: The European Union in International Affairs ((EUIA))

Abstract

The rise of nationalism and populism in European politics presents a grave challenge to the liberal democratic values upon which the EU is founded. In Central Europe, the nationalist governments of Hungary and Poland stoke anti-Brussels sentiment and fear of the ‘Other’, their cultural policies task institutions with building an idealised national narrative and identity, and independent (potentially opposing) voices are marginalised. Hungary’s cultural policies since 2010 provide a case study of a nationalist agenda for culture and highlight the challenge for the independent culture sector. Practitioners may look to the EU, NGOs and creative networks as sources of support, advocacy and resilience, but despite advocating for artistic freedom in external relations, the EU has limited practical scope to ensure artistic freedom within its member states. Further, studies show significant barriers for independent organisations seeking to access EU cultural programmes. Revisiting these programmes and priorities is required to ensure critical freedoms and values are not further eroded.

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Notes

  1. 1.

    July 26, 2014, to the Tusványos Summer University and Student Camp, Romania.

  2. 2.

    December 15, 2014, interview with Bloomberg (subscription required) https://www.bloomberg.com/news/articles/2014-12-15/hungary-on-path-to-shed-junk-grade-and-shield-forint-orban-says.

  3. 3.

    In an interview with Germany’s Bild Magazine, 8 January 2018, reported at https://www.politico.eu/article/viktor-orban-hungary-doesnt-want-muslim-invaders/.

  4. 4.

    Lili Bayer, ‘Viktor Orbàn courts voters beyond “Fortress Hungary”’ Politico.eu, 22 August 2017, available at https://www.politico.eu/article/viktor-orban-courts-voters-in-transylvania-romania-hungarian-election-2018/.

  5. 5.

    Since 2012, Hungarians vote directly for candidates (106 seats) and for proportional representation via a party list (93 seats). Now requiring only one voting round, once a candidate is successful in a particular district, any additional votes over those required to win, can be transferred to their party’s list, thereby advantaging the successful parties. For discussion of this and other peculiarities of the Hungarian electoral system—http://hungarianspectrum.org/2017/12/19/observer-the-heavily-biased-hungarian-electoral-system/.

  6. 6.

    At the joint press conference with Prime Minister Tusk at the Poland Chancellery Building, Warsaw, Poland (May 28, 2011).

  7. 7.

    Press conference, Presidential Palace in Warsaw, Poland (February 6, 2018).

  8. 8.

    Reported at https://www.nytimes.com/2018/03/01/world/europe/poland-israel-holocaust.html.

  9. 9.

    Interviewed by newspaper Nasz Dziennik, January 2016, cited by Jiřík (2016).

  10. 10.

    Translated from Hungarian. The original quote is “A Nemzeti Színház nem pusztán színház, hanem olyan intézmény, amelynek nemzeti értékeket kell képviselnie, közvetítenie….”.

  11. 11.

    A term coined for the post 1956 regime under János Kádár, which allowed some freedom of markets, increased mobility and improved human rights compared to neighbouring countries.

  12. 12.

    Through management and committee appointments and culminating in control of the NKA being transferred to the MMA in 2016.

  13. 13.

    Not always a solution; Bodó’s acclaimed Szputnyik Hajózási Társaság (Sputnik Shipping Company) was nonetheless forced to cease operations for financial reasons in 2015.

  14. 14.

    Interview at Trafo, April 2018.

  15. 15.

    Interview with representative of the East European Performing Arts Platform, April 2018.

  16. 16.

    Ibid.

  17. 17.

    For small scale cooperation culture projects; details available at https://ec.europa.eu/programmes/creative-europe/culture/european-cooperation-projects_en.

  18. 18.

    Feedback provided to author by Creative Europe’s Poland Desk, May 2018.

  19. 19.

    From interview with Hajnalka Somogyi, Leader of OFF Biennale, by Jakub Gawkowski, reported in Political Critique, 3 November 2017, http://politicalcritique.org/cee/hungary/2017/off-biennale-budapest-interview-with-hajnalka-somogyi/.

  20. 20.

    Interview with representatives of IETM, October 2017.

  21. 21.

    Schilling and Márton Gulyás (co-founder of Krétakör) by National Security Committee vice-president and Fidesz VP Szilárd Németh on 12 September 2017.

  22. 22.

    Interview with representatives of IETM, October 2017.

  23. 23.

    Feedback by representative of Creative Europe’s Hungary Desk.

  24. 24.

    http://www.europarl.europa.eu/legislative-train/theme-area-of-justice-and-fundamental-rights/file-media-freedom-and-pluralism.

  25. 25.

    Schilling interview reported at https://www.opendemocracy.net/protest/arpad-schilling-protest-in-hungary.

  26. 26.

    From conversations with performing arts practitioners undertaken over the last 5 years.

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Proud, V. (2020). A Nationalist Agenda in an EU Context: Implications for Contemporary Culture in Central Europe. In: Carta, C., Higgott, R. (eds) Cultural Diplomacy in Europe. The European Union in International Affairs. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-21544-6_8

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