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Envisioning Photovoice as Decolonial Feminist Praxis

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Part of the book series: Community Psychology ((COMPSY))

Abstract

Photovoice is a visual participatory action research methodology that exemplifies many of the aims of decolonial feminism and community psychology with its attendance to the development of critical consciousness, the situating of participants as experts in their own lives and the aim for the psychological empowerment of participants. However, in most research projects, the participatory dimension of the photovoice process does not extend beyond the stage of public exhibitions. Participants are rarely involved in the academic dissemination of the research findings. In this chapter, we seek to disrupt this, and to provide a reflection on the photovoice process from three varying positions of power within the project: participant, researcher and supervisor. In particular, this chapter examines how decolonial feminist mentorship in community psychology can be enacted and enabled through the lens of a photovoice project based in a psychology department at a university undergoing a contested transformation process. It reflects on how the first author, a young white woman, and the second author, a young black woman, have learned about the process of conducting decolonial feminist work from either side of a photovoice project examining gender and race in higher education, under the supervision and decolonial feminist mentorship of the third author, an established black academic.

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Notes

  1. 1.

    We use the term ‘womxn’ to allow space for individuals who identify as genderfluid, genderqueer, gender non-conforming, or non-binary.

  2. 2.

    RhodesMustFall is a student resistance movement initiated in 2015, which calls for the decolonisation of higher education in South Africa.

  3. 3.

    FeesMustFall is a student resistance movement concerned with increased fees at South African universities which further impede black, poor and/or historically disadvantaged students.

  4. 4.

    Cecil John Rhodes was Prime Minister of the Cape Colony in the late 1800s. He implemented multiple laws forcing black people off their land. He bequeathed the land on the slopes of Devil’s Peak (the site of the University’s Upper Campus) as the site for UCT and despite being a reviled figure the statue commemorating his memory was displayed at UCT until the RhodesMustFall student protests in 2015 forced its removal.

  5. 5.

    Joy Moodley (as an honours student) and Professor Kopano Ratele of the University of South Africa were involved in various stages of this project.

  6. 6.

    https://www.facebook.com/UCTfeministdecolonialpsychology/

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Acknowledgements

We would like to thank the participants for sharing their experiences and for the effort and creativity they put into creating their photo-stories. We would like to acknowledge Joy Moodley and Professor Kopano Ratele for their involvement as co-researchers in various stages of this project. We would like to thank our reviewers for their thoughtful feedback.

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Correspondence to Josephine Cornell .

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Cornell, J., Mkhize, L., Kessi, S. (2019). Envisioning Photovoice as Decolonial Feminist Praxis. In: Boonzaier, F., van Niekerk, T. (eds) Decolonial Feminist Community Psychology. Community Psychology. Springer, Cham. https://doi.org/10.1007/978-3-030-20001-5_5

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