Abstract
Mass tourism goes to major cultural heritage sites, to superstar museums, to festivals, and to blockbuster exhibitions of art. These visits have a major impact on the local economy, regions, and countries and are captured by impact studies. In contrast, the willingness-to-pay approach focuses on the net benefits created by visiting a cultural site. Many cultural sites tend to be overcrowded, leading to material damage to the structures, to a feeling of compression among visitors and the local population, and to a drastic loss of authenticity. Overcrowding of heritage sites can be counteracted in various ways to make visits agreeable and to reduce the damage inflicted.
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Related Literature
Early contributions include
Gapinski JH (1988) Tourism’s contribution to the demand for London’s lively arts. Appl Econ 20(7):957–968
Mossetto G (1992) L’economia delle città d’arte: Modelli di sviluppo a confronte, politiche e strumenti di intervento, Etaslibri, Milan
More recent contributions are, for example
D’Eramo M (2017) Il selfie del mondo. Indagine sull’età del turismo, Feltrinelli, Milano
Hughes HL (2000) Arts, entertainment and tourism. Butterworth-Heineman, Oxford
Scott AJ (2000) The cultural economy of cities: essays on the geography of image-producing industries. Sage, London
An analysis using happiness data to capture the net benefits produced by cultural sites is
Steiner L, Frey BS, Hotz S (2015) European capitals of culture and life satisfaction. Urban Stud 52(2):374–394
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Frey, B.S. (2019). Cultural Tourism. In: Economics of Art and Culture. SpringerBriefs in Economics. Springer, Cham. https://doi.org/10.1007/978-3-030-15748-7_14
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DOI: https://doi.org/10.1007/978-3-030-15748-7_14
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