Skip to main content

Discourses of Dissonance: Enabling Sites of Praxis and Practice Amongst Arts and Design Doctoral Study

  • Chapter
  • First Online:
  • 583 Accesses

Abstract

Ph.D. study occupies a fractional and anomalous space in the university structurally, pedagogically and otherwise. This chapter contends that the Arts and Design Ph.D. and its complex relationship with practice, inhabits a dissonant terrain that further disrupts the normative frameworks of the academe and the landscape of doctoral research itself. Underpinned by a conceptual model of ‘research-practice-pedagogy’ and research at the intersection of these fields, transformational, performative and embodied spaces of learning, teaching and becoming are explored as part of a spatiotemporality that brings to the fore spaces of praxis and practice. Whilst dissonance is normally conceived as a negative lexicon, the dissonance of the Arts and Design Ph.D. is reconceived as a generative para-dox in relation to academia’s doxa vital in eliciting ‘doctoralness’.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • Atkinson, D. (2013). The Pedagogy of the Event. In E. Fisher & R. Fortnum (Eds.), On Not Knowing: How Artists Think (pp. 136–145). London: Black Dog Publishing.

    Google Scholar 

  • Australian Government Department of Education and Training. (2016). https://www.education.gov.au/selected-higher-education-statistics-2016-student-data. Accessed 20 May 2018.

  • Barrett, E., & Bolt, B. (Eds.). (2007). Practice as Research: Approaches to Creative Arts Enquiry. New York: I. B. Tauris.

    Google Scholar 

  • Bolt, B. (2007). The Magic is in Handling. In E. Barrett & B. Bolt (Eds.), Practice as Research: Approaches to Creative Arts Enquiry (pp. 27–34). New York: I. B. Tauris.

    Google Scholar 

  • Boultwood, A., Taylor, J., & Vaughan, S. (2015). The Importance of Coffee: Peer Mentoring to Support PGRs and ECRs in Art & Design. Vitae Occasional Papers: Research Careers and Cultures, CRAC, 2, 15–20.

    Google Scholar 

  • Bourner, T., & Simpson, P. (2014). Action Learning and the Pedagogy of Professional Doctorates. Higher Education, Skills and Work-Based Learning, 4(2), 122–136.

    Article  Google Scholar 

  • Brabazon. T. (2016). Winter is Coming: Doctoral Supervision in the Neoliberal University. International Journal of Social Sciences & Educational Studies, 3(1), 1–34.

    Google Scholar 

  • Candy, L. (2006). Practice Based Research: A Guide. Sydney: University of Technology. http://www.mangold-international.com/fileadmin/Media/References/Publications/Downloads/Practice_Based_Research_A_Guide.pdf. Accessed 6 Mar 2015.

  • Elkins, J. (2009). Artists with PhDs: On the New Doctoral Degree in Studio Art. Washington, DC: New Academia Publishing.

    Google Scholar 

  • Emlyn Jones, T. (2006). A Method of Search for Reality: Research and Research Degrees in Art and Design. In L. Holdridge & K. Macleod (Eds.), Thinking Through Art: Reflections on Art as Research (pp. 226–240). Oxon: Routledge.

    Google Scholar 

  • Eurostat European Union Statistical Office. (2015). Tertiary Education Statistics. http://ec.europa.eu/eurostat/statisticsexplained/index.php/Tertiary_education_statistics. Accessed 25 May 2018.

  • Festinger, L. (1957). A Theory of Cognitive Dissonance. Stanford: Stanford University Press.

    Google Scholar 

  • Fisher, E., & Fortnum, R. (2013). On Not Knowing: How Artists Think. London: Black Dog Publishing.

    Google Scholar 

  • Frayling, C. (1993). Research in Art and Design. Royal College of Art Research Papers, 1(1), 1–5.

    Google Scholar 

  • Garland, C. (2014). Emboldened and Unterrified. In. A. Wardrop & D. Withers (Eds.), The Para-Academic Handbook: A Toolkit for Making-Learning-Creating-Acting (pp. 71–80). Bristol: HammerOn Press.

    Google Scholar 

  • Gray, C., & Malins, J. (2004). Visualising Research: A Guide to the Research Process in Art & Design. Aldershot: Ashgate Publishing.

    Google Scholar 

  • Hamilton, C., & Raine, S. (Eds.). (2017). Riffs: Experimental Writing on Popular Music—Beyond Borders Special Issue. http://riffsjournal.org/issues/special-edition-beyond-borders-july-2017/. Accessed 17 Jan 2018.

  • Haseman, B. (2006). A Manifesto for Performative Research. Media International Australia Incorporating Culture and Policy,118, 98–106 (issue theme ‘Practice-led Research’).

    Article  Google Scholar 

  • Hawkins, H. (2018). On Mentoring—Reflections on Academic Caring as a Feminist Practice. http://www.gfgrg.org/on-mentoring-reflections-on-academic-caring-as-a-feminist-practice-by-harriet-hawkins/. Accessed 1 Mar 2018.

  • Higher Education Statistics Agency UK. (2017). https://www.hesa.ac.uk/news/11-01-2018/sfr247-higher-education-student-statistics/qualifications. Accessed 22 May 2018.

  • Hockey, J. (2008). Practice Based Research Degree Students in Art & Design: Identity and Adaption. In R. Hickman (Ed.), Research in Art and Design Education: Issues and Exemplars (pp. 109, 120). Bristol: Intellect.

    Google Scholar 

  • Jones, S., & Oakley, C. (2018). The Precarious Postdoc: Interdisciplinary Research and Casualised Labour in the Humanities and Social Sciences. Durham: Hearing the Voice.

    Google Scholar 

  • Lee, A. (2008). How are Doctoral Students Supervised? Concepts of Doctoral Research Supervision. Studies in Higher Education, 33, 267–281.

    Article  Google Scholar 

  • Macleod, K., & Holdridge, L. (Eds.). (2006). Thinking Through Art: Reflections on Art as Research. Oxon: Routledge.

    Google Scholar 

  • Manathunga, C. (2012). Supervisors Watching Supervisors: The Deconstructive Possibilities and Tensions of Team Supervision. The Australian Universities’ Review, 54(1), 29–37.

    Google Scholar 

  • Maxwell, T. (2003). From First to Second Generation Professional Doctorate. Studies in Higher Education, 28(3), 279–291.

    Article  Google Scholar 

  • Mottram, J., Rust, C., & Till, J. (2007). AHRC Research Review: Practice-led Research in Art, Design and Architecture. London: AHRC.

    Google Scholar 

  • Nelson, R. (2013). Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. London: Palgrave Macmillan.

    Book  Google Scholar 

  • Newman, H. (2001). Locating Performance: Textual Identity and the Performative. Ph.D. thesis submitted to the University of Leeds.

    Google Scholar 

  • Park, C. (2005, July). New Variant PhD: The Changing Nature of the Doctorate in the UK. Journal of Higher Education Policy and Management, 27(2), 189–207.

    Article  Google Scholar 

  • Quality Assurance Agency. (2014). UK Quality Code for UK Higher Education. https://www.qaa.ac.uk/docs/qaa/quality-code/qualifications-frameworks.pdf. Accessed 24 Oct 2013.

  • Rogoff, I. (2000). Terra Infirma: Geography’s Visual Culture. New York: Routledge.

    Google Scholar 

  • Rolfe, G. (2014). We Are All Para-Academics Now. In A. Wardrop & D. Withers (Eds.), The Para-Academic Handbook: A Toolkit for Making-Learning-Creating-Acting (pp. 1–5). Bristol: HammerOn Press.

    Google Scholar 

  • Rubidge, S. (2004). Artists in the Academy: Reflections on Artistic Practice as Research. Australian Arts Council. http://ausdance.org.au/articles/details/artists-in-the-academy-reflections-on-artistic-practice-as-research. Accessed 21 Feb 2017.

  • SEEC. (2016). Credit Level Descriptors for Higher Education. http://www.seec.org.uk/wpcontent/uploads/2016/07/SEEC-descriptors-2016.pdf. Accessed 2 Feb 2016.

  • Sullivan, G. (2005). Art Practice as Research: Enquiry in the Visual Arts. London: Sage.

    Google Scholar 

  • Sullivan, G. (2009). Making Space: The Purpose and Place of Practice-led Research. In R. T. Dean & H. Smith (Eds.), Practice-led Research, Research-led Practice in the Creative Arts (pp. 41–65). Edinburgh: Edinburgh University Press.

    Google Scholar 

  • Taylor, J. (2014, July). From ‘or’ to ‘and’: l’écriture féminine as an Approach to Fine Art Research. Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 13(3), 305–313 (Sage Publishers).

    Article  Google Scholar 

  • Taylor, J. (2018). Research-Practice-Pedagogy: Establishing New Topologies of Doctoral Research in the Arts. In R. Prior (Ed.), Using Art as Research in Learning and Teaching: Multidisciplinary Approaches Across the Arts (pp. 91–108). London: Intellect.

    Google Scholar 

  • Taylor, J., & Vaughan, S. (2016). A Different Practice? Professional Identity and Doctoral Education in Art & Design. In V. A. Storey (Ed.), International Perspectives on Designing Professional Practice Doctorates: Applying the Critical Friends Approach to the EdD and Beyond (pp. 127–142). London: Palgrave Macmillan.

    Google Scholar 

  • Teikmanis, A. (2013). Typologies of Research. In M. Wilson & S. Van Ruiten (Eds.), SHARE: Handbook for Artistic Research Education (pp. 162–169). Amsterdam: ELIA.

    Google Scholar 

  • Vincs, K. (2007). Rhizome/MyZone: A Case Study in Studio-Based Dance Research. In E. Barrett & B. Bolt (Eds.), Practice as Research: Approaches to Creative Arts Enquiry (pp. 99–112). New York: I.B. Tauris.

    Google Scholar 

  • Vitae. (2015). Researcher Development Framework. Cambridge: Careers Research and Advisory Centre (CRAC) Limited.

    Google Scholar 

  • Wardrop, A., & Withers, D. (Eds.). (2014). The Para-Academic Handbook: A Toolkit for Making-Learning-Creating-Acting. Bristol: HammerOn Press.

    Google Scholar 

  • Wilson, M. (2008). The ‘State of Play’ in Practice-led Research in Art, Design and Architecture. Brighton: AHRC/CHEAD.

    Google Scholar 

  • Wilson, M., & Van Ruiten, S. (Eds.). (2013). SHARE: Handbook for Artistic Research Education. Amsterdam: ELIA.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Jacqueline Taylor .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Taylor, J. (2019). Discourses of Dissonance: Enabling Sites of Praxis and Practice Amongst Arts and Design Doctoral Study. In: Breeze, M., Taylor, Y., Costa, C. (eds) Time and Space in the Neoliberal University. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-15246-8_9

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-15246-8_9

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-030-15245-1

  • Online ISBN: 978-3-030-15246-8

  • eBook Packages: EducationEducation (R0)

Publish with us

Policies and ethics