Abstract
The small-scale urban gardens in central Havana are more than merely the physical spaces. They maintain complex networks that represent political orientations. In this chapter we trace the networks of small-scale gardens through Actor-Network Theory (ANT) and show how the network is a Garden in itself. Acts, intentions, actions, thoughts and performances all constitute the Garden and generate subjectivities. Through our network-thinking, we distinguish ‘the Garden’ from ‘the garden as a confined space’. The Garden emerges from the network of all small gardens across Cuba. Moreover, it transcends the material and discusses ideological performativity. The network-thinking reveals how sustainable practices can evoke intimate experiences between humans and non-humans within the realm of everyday life and the blurred boundaries of nature and culture.
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Notes
- 1.
Partly due to the collapse of the Soviet Union, the import of food products, oil and pesticides dropped spectacularly, resulting in the country’s biggest economic crisis (Espina et al. 2011). Cubans call this period, which started in 1989, the ‘Special Period in Times of Peace’ (El Período Especial en Tiempos de Paz). This term emerged because, for the population, the economic situation was warlike yet without an actual war.
- 2.
Ornamental (decorative) and medicinal plants. In Cuba, medicinal plants are, for example, chamomile, marigold, ginger, aloe vera, passionflower, orange leaves and oregano.
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Plonska, O., Saramifar, Y. (2019). The Garden. In: The Urban Gardens of Havana. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-030-12657-5_3
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