Skip to main content

Pyschological Acoustics

  • Chapter
  • 201 Accesses

Abstract

Psychological acoustics, or psychoacoustics, deals with the subjective nature of hearing, and the intention of this chapter is to cover those aspects of the subject that the recording engineer will deal with in his daily work. Such topics as loudness phenomena, sound image localization, pitch perception, masking, and the all-important subject of hearing protection will be discussed.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   74.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  1. M. Altschuler, “Balance Attenuation Ear Protection,” Sound & Communications, vol. 35, no. 3 (1989)

    Google Scholar 

  2. B. Bauer, “Phasor Analysis of Some Stereophonic Phenomena,” J. Acoustical Society of America, vol. 33, no. 11 (1956).

    Google Scholar 

  3. A. Benade, Fundamentals of Musical Acoustics, p. 209, Oxford University Press, New York (1976).

    Google Scholar 

  4. J. Blauert, Spatial Hearing, MIT Press, Cambridge, Mass. (1983).

    Google Scholar 

  5. H. A. M. Clark, et al., “The ‘Stereosonic’ Recording and Reproducing System,” J. Audio Engineering Society, vol. 6, no. 2 (1958).

    Google Scholar 

  6. S. Gelfand, Hearing, an Introduction for Psychological and Physiological Acoustics, Marcel Dekker, New York (1981).

    Google Scholar 

  7. H. Haas, “The Influence of a Single Echo on the Audibility of Speech,” reprinted in J. Audio Engineering Society, vol. 20, no.2 (1972).

    Google Scholar 

  8. D. Robinson and R. Dadson, British Journal of Applied Physics, vol. 7, p. 166 (1956).

    Article  Google Scholar 

  9. J. Roederer, Introduction to the Physics and Psychophysics of Music, p. 29, Springer-Verlag, New York (1973).

    Google Scholar 

  10. E. Schubert (ed.), Psychological Acoustics, Dowden, Hutchinson, and Ross, Stroudsburg, Pa. (1979).

    Google Scholar 

  11. F. Winckel, Music, Sound, and Sensation, Dover Publications, New York (1967).

    Google Scholar 

  12. D. Woolford, “Sound Pressure Levels in Symphony Orchestras and Hearing,” presented at the 1984 Australian Regional Convention, Audio Engineering Society, Sept. 1984, preprint no. 2104.

    Google Scholar 

  13. Occupational Safety and Health Act, 1970, Department of Labor, US Congress, 651 et seq.

    Google Scholar 

Download references

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 1992 Springer Science+Business Media New York

About this chapter

Cite this chapter

Eargle, J. (1992). Pyschological Acoustics. In: Handbook of Recording Engineering. Springer, Boston, MA. https://doi.org/10.1007/978-1-4757-1129-5_2

Download citation

  • DOI: https://doi.org/10.1007/978-1-4757-1129-5_2

  • Publisher Name: Springer, Boston, MA

  • Print ISBN: 978-1-4757-1131-8

  • Online ISBN: 978-1-4757-1129-5

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics