Abstract
This article draws a cartography of digital art in Brazil by focusing on the dialogue between pioneer productions of media art and some recent ones. We ask the question, what changed in the exhibition circuits and curatorial strategies of this production if we compare it with the beginnings of art and technology in Brazil?
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Arantes P (2005) Art and media: perspectives of digital aesthetic. São Paulo: Senac: Fapesp
Arantes P (2012) Curatorial practice as living history: processes of transformation. Journal of the New Media Caucus
Cordeiro W (2010) Arteônica. Catalog Art:New Media: Multimedia. Brasil’70.SP, FAAP
Manovich L Database as symbolic form. In http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html
Malraux A (2015) Imaginary Museum. Lisboa: Edições 70
Obrist THU (2008) A brief history of curating.JRPIRingier
Panofsky E (1999) Perspective as symbolic form. SP.Ed. 70
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer-Verlag London Ltd., part of Springer Nature
About this chapter
Cite this chapter
Arantes, P. (2018). Digital Art in Brazil. In: Explorations in Art and Technology. Springer Series on Cultural Computing. Springer, London. https://doi.org/10.1007/978-1-4471-7367-0_9
Download citation
DOI: https://doi.org/10.1007/978-1-4471-7367-0_9
Published:
Publisher Name: Springer, London
Print ISBN: 978-1-4471-7366-3
Online ISBN: 978-1-4471-7367-0
eBook Packages: Computer ScienceComputer Science (R0)