About this series
The recent surge of interest in affect and emotion has productively crossed disciplinary boundaries within and between the humanities, social sciences, and sciences, but has not often addressed questions of literature and literary criticism as such. The first of its kind, Palgrave Studies in Affect Theory and Literary Criticism seeks theoretically informed scholarship that examines the foundations and practice of literary criticism in relation to affect theory. This series aims to stage contemporary debates in the field, addressing topics such as: the role of affective experience in literary composition and reception, particularly in non-Western literatures; examinations of historical and conceptual relations between major and minor philosophies of emotion and literary experience; and studies of race, class, gender, sexuality, age, and disability that use affect theory as a primary critical tool.
Louis Charland †, Western University, CanadaPatrick Colm Hogan, University of Connecticut, USAHolly Crocker, University of South Carolina, USADavid James, University of Birmingham, UKJulia Lupton, University of California Irvine, USAKate Singer, Mount Holyoke College, USAJane Thrailkill, University of North Carolina at Chapel Hill, USADonald Wehrs, Auburn University, USA