About this series
marks the turn in adaptation studies toward recontextualization, reformatting, and media convergence. It builds on two decades of growing interest in the “afterlife” of Shakespeare, showcasing some of the best new work of this kind currently being produced. The series addresses the repurposing of Shakespeare in different technical, cultural, and performance formats, emphasizing the uses and effects of Shakespearean texts in both national and global networks of reference and communication. Studies in this series pursue a deeper understanding of how and why cultures recycle their classic works, and of the media involved in negotiating these transactions.
Editorial Board Members: Gina Bloom (University of California, Davis); Alice Dailey (Villanova University); Stephen O'Neill (Maynooth University, Ireland)