Sound Clash

Jamaican Dancehall Culture at Large

  • Authors
  • Carolyn Cooper

Table of contents

  1. Front Matter
    Pages i-x
  2. Carolyn Cooper
    Pages 1-33
  3. Carolyn Cooper
    Pages 35-72
  4. Carolyn Cooper
    Pages 73-97
  5. Carolyn Cooper
    Pages 99-123
  6. Carolyn Cooper
    Pages 125-144
  7. Carolyn Cooper
    Pages 145-178
  8. Carolyn Cooper
    Pages 179-206
  9. Carolyn Cooper
    Pages 207-229
  10. Carolyn Cooper
    Pages 231-249
  11. Carolyn Cooper
    Pages 251-277
  12. Carolyn Cooper
    Pages 279-301
  13. Back Matter
    Pages 303-348

About this book

Introduction

Megawattage sound systems have blasted the electronically-enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dismissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B and Apache Indian. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.

Keywords

culture energy society

Bibliographic information

  • DOI https://doi.org/10.1057/9781403982605
  • Copyright Information Palgrave Macmillan, a division of Nature America Inc. 2004
  • Publisher Name Palgrave Macmillan, New York
  • eBook Packages Palgrave Social & Cultural Studies Collection
  • Print ISBN 978-1-4039-6424-3
  • Online ISBN 978-1-4039-8260-5
  • About this book