Children, Film and Literacy

1. Front Matter

   Pages i-xii

   PDF

2. Introduction: A Narrative on Narrative

   • Becky Parry

   Pages 1-9

3. Children’s Film: Children’s Cultures

   • Becky Parry

   Pages 10-34

4. Assets, Resources and Repertoires

   • Becky Parry

   Pages 35-55

5. Movies Teach Movies

   • Becky Parry

   Pages 56-66

6. Researching Film with Children

   • Becky Parry

   Pages 67-87

7. Film Identities in Practice

   • Becky Parry

   Pages 88-117

8. Film in Children’s Storytelling

   • Becky Parry

   Pages 118-152

9. Film in Children’s Film Production

   • Becky Parry

   Pages 153-192

10. A Case for Children’s Film

    • Becky Parry

    Pages 193-210

11. Back Matter

    Pages 211-228

    PDF

Children, Film and Literacy explores the role of film in children's lives. The films children engage in provide them with imaginative spaces in which they create, play and perform familiar and unfamiliar, fantasy and everyday narratives and this narrative play is closely connected to identity, literacy and textual practices. Family is key to the encouragement of this social play and, at school, the playground is also an important site for this activity. However, in the literacy classroom, some children encounter a discontinuity between their experiences of narrative at home and those that are valued in school. Through film children develop understandings of the common characteristics of narrative and the particular 'language' of film. This book demonstrates the ways in which children are able to express and develop distinct and complex understandings of narrative, that is to say, where they can draw on their own experiences (including those in a moving image form). Children whose primary experiences of narrative are moving images face particular challenges when their experiences are not given opportunities for expression in the classroom, and this has urgent implications for the teaching of literacy.

• children
• film
• literacy
• culture
• identity
• production
• research
• childhood studies

"Becky Parry's book makes an important case for the interrelationships between children's lived cultures, their experiences of film, and their emerging literacies. The argument is wide ranging, across narratology, cultural identity, and childhood studies, and is therefore invaluable for students and teachers in those areas. It is also elegantly and engagingly written." - Mark Reid, Head of Education at the British Film Institute (BFI), UK

"This is an engaging read [and a] long overdue book ... The strength of this book is that Parry argues to draw on the extensive, expanded notion of storytelling children gain from watching films and make that impact on their conventional literacy learning." - Media Education Association

"This is an engaging read for media educators and, as Jackie Marsh points out in the foreword, it is long overdue." - Media Education Research Journal

• University of Leeds, UK

  Becky Parry

Becky Parry is Lecturer at the University of Leeds, UK, and has previously worked as a teacher, a cinema educator and as a children's film festival director. She developed a city-wide media production project, Cube, which gave young people in Sheffield the opportunity to collaboratively create media such as magazines, websites and films in order to express opinions as well as gain creative skills. 

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